The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
Taw Jackson returns from prison having survived being shot, to the ranch and gold that Frank Pierce stole from him. Jackson makes a deal with Lomax, the man who shot him 5 years ago to join... See full summary »
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known ... See full summary »
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
The Elder boys return to Clearwater, Texas for their Mother's funeral. John the eldest is a well known gunfighter and trouble follows him wherever he goes. The boys try to get back their ranch from the towns gunsmith who won it from their father in a card game with which he was shortly murdered there after but not before getting through the troubles that come with the Elders name. Written by
Christopher D. Ryan <firstname.lastname@example.org>
This picture marked the return of John Wayne to work after having a cancerous lung and two ribs removed just four months earlier. He insisted on doing all his own stunts to show the public that the illness hadn't slowed him down. See more »
When Morgan Hastings is conversing with his son at his ranch while test firing a rifle, he bends down to fire the rifle and places it on a pile of sand bags. The bolt of the rifle is in the open position throughout the shot and so can't be fired. See more »
I'm going with you. I can draw pretty fast. We can be famous -- like the Dalton Brothers!
They're famous -- but they're just a little bit dead. They were hung!
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I just saw this movie some 30 years after my first viewing of the film--and surprisingly I found it to be a lot more entertaining than my first recollections of the film.
It's a traditional Hollywood western: good wins over evil, the hero gets the girl, and law is maintained. It has no complications. Even the Mexicans are shown squatting at the funeral far apart from the others only getting up to bury the body. That was how most Westerns were made...So what's good about the film?
Elmer Bernstein's music is as good as his music in 'The Magnificent Seven', if not better. The range of actors: a believable John Wayne, an entertaining Dean Martin with "third-eye" act, a menacing George Kennedy, a "likable" Strother Martin in a brief role as the winner of the third eye, and a fine performance by young Dennis Hopper makes the film above average viewing.
The real hero of the movie is "Katie Elder" dead when the film begins, respected as the film unfolds, and never seen on screen. Everyone seems to remember her with awe. She is epitomized by the empty rocking chair (final shot) and a Bible she leaves behind.
Henry Hathaway's westerns will not be reflective ones as are later Westerns such as "Will Penny", "Tell Them Willie Boy is Here" or "Monte Walsh"--his movies tend to affirm the status quo of typical Hollywood westerns with a heart (good Christian values, strong connection with nature and animals--horses in this movie--as he did in "How the West was Won") and no mind (insensitive to Mexicans and Red Indians). The Christian values in the film are fuzzy, e.g., fool some poor gullible guys at a bar and emerge a hero, or sell a blind horse to gain money and remembered for it at your funeral, etc. This film of Hathaway, ably supported by Bernstein's music and Lucien Ballard's camera, is a great movie for an audience that wants to see a traditional western unfold--and but not be asked to think beyond what is shown.
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