The Slender Thread (1965)A college volunteer at the crisis phone gets a call from a suicide caller. Director:Sydney Pollack |
|
| 0Share... |
The Slender Thread (1965)A college volunteer at the crisis phone gets a call from a suicide caller. Director:Sydney Pollack |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Sidney Poitier | ... |
Alan Newell
|
|
| Anne Bancroft | ... |
Inga Dyson
|
|
| Telly Savalas | ... |
Dr. Joe Coburn
|
|
| Steven Hill | ... |
Mark Dyson
|
|
| Edward Asner | ... |
Det. Judd Ridley
|
|
|
|
Indus Arthur | ... |
Marian
|
|
|
Paul Newlan | ... |
Sgt. Harry Ward
|
| Dabney Coleman | ... |
Charlie
|
|
| H.M. Wynant | ... |
Doctor Morris
(as H.N. Wynant)
|
|
|
|
Robert F. Hoy | ... |
Patrolman Steve Peters
(as Robert Hoy)
|
|
|
Greg Jarvis | ... |
Chris Dyson
|
|
|
Jason Wingreen | ... |
Medical Technician
|
|
|
Marjorie Nelson | ... |
Mrs. Thomas
|
| Steven Marlo | ... |
Arthur Foss
|
|
|
|
Thomas Hill | ... |
Liquor Salesman
|
Alan is a Seattle college student volunteering at a crisis center. One night when at the clinic alone, a woman calls up the number and tells Alan that she needs to talk to someone. She informs Alan she took a load of pills, and he secretly tries to get help. During this time, he learns more about the woman, her family life, and why she wants to die. Can Alan get the cavalry to save her in time before it's too late? Written by Pat McCurry <ccgrad97@aol.com>
I enjoyed the film not only for its taught and gripping story line; but also for the director's imaginative filming technique. The Slender Thread is unique in it's actual "threading" of actors, particularly, who become much bigger in life as their careers flourish. I always enjoy the chance to see an actor/actress before they go on to fame. Stephen Hill is one of those.
Although not a true film noir; the black and white filming for me adds to the total involvement of the viewer and gives a heightened perspective to the whole cinema outing.
I suggest the film highly. The interactions between cast are worth the view.