| Peter Cushing | ... | Dr. Christopher Maitland | |
| Patrick Wymark | ... | Anthony Marco | |
| Jill Bennett | ... | Jane Maitland | |
| Nigel Green | ... | Inspector Wilson | |
| Patrick Magee | ... | Police Surgeon | |
| Peter Woodthorpe | ... | Bert Travers, Marco's Landlord | |
| Michael Gough | ... | Auctioneer | |
| George Coulouris | ... | Dr. Londe | |
| April Olrich | ... | French Girl | |
| Maurice Good | ... | Pierre, Phrenologist | |
| Anna Palk | ... | Maid | |
| Frank Forsyth | ... | Judge | |
| Paul Stockman | ... | First Guard | |
| Geoffrey Cheshire | ... | Second Guard | |
| George Hilsdon | ... | Policeman | |
| Jack Silk | ... | Driver | |
| Christopher Lee | ... | Sir Matthew Phillips |
Directed by | |||
| Freddie Francis | |||
Writing credits(in alphabetical order) | ||
| Robert Bloch | story "The skull of the Marquis de Sade" | |
| Milton Subotsky | ||
Produced by | |||
| Max Rosenberg | .... | producer (as Max J. Rosenberg) | |
| Milton Subotsky | .... | producer | |
Original Music by | |||
| Elisabeth Lutyens | |||
Cinematography by | |||
| John Wilcox | |||
Film Editing by | |||
| Oswald Hafenrichter | |||
Art Direction by | |||
| Bill Constable | |||
Set Decoration by | |||
| Scott Slimon | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
| Henry Montsash | .... | hair stylist | |
Production Management | |||
| Ted Lloyd | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anthony Waye | .... | assistant director | |
Art Department | |||
| Bill Waldron | .... | construction manager | |
Sound Department | |||
| Buster Ambler | .... | sound recordist | |
| John Cox | .... | sound supervisor | |
| Tom Priestley | .... | sound editor | |
Special Effects by | |||
| Ted Samuels | .... | special effects | |
Camera and Electrical Department | |||
| David Harcourt | .... | camera operator | |
| Ray Jones | .... | camera grip | |
| Maurice Gillett | .... | supervising electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Jackie Cummins | .... | wardrobe supervisor | |
Music Department | |||
| Philip Martell | .... | conductor | |
Other crew | |||
| Pamela Davies | .... | continuity | |
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| 1408 | The City of the Dead | Sleepy Hollow | La corta notte delle bambole di vetro | A Nightmare on Elm Street 3: Dream Warriors |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Based on the Robert Bloch's story "The Skull of the Marquis de Sade", this film really thrills and chills. The Skull is an unassuming title, but this little gem does has a lot to offer on a cold winter afternoon. Peter Cushing stars as Dr. Maitland, a demonologist who comes across the skull after it has been stolen from his friend Christopher Lee. Death or possession has come upon the past owners but Maitland is unconcerned with such superstitions. He must have this occult rarity to add to his large collection. Dr. Maitland has no idea what lies in store for him... I feel that "The Skull" is one of the finest films Cushing and Lee have ever done together, and the best horror film that Freddie Francis has directed. At a glance, one would almost definitely think it is a Hammer film. It was actually made by Amicus, but features such Hammer characteristics as a foggy opening scene portraying grave robbers, occasional bloodletting, a dreary score, and canyons of cleavage. Even by today's standards, The Skull is exciting. Highlights include a very inventive dream sequence, a harsh game of Russian roulette, and the riveting climax. Believe it or not, The Skull even has a few scenes where you tense up expecting someone to jump out and scare you. You don't often see that type of thing in the Hammer/Amicus flicks. The major thing that brings the movie down, though, are the fake-looking scenes where the skull floats in the air to terrorize Dr. Maitland. They could have been done better using shadows or long-distance shots. Also, the "camera inside the skull" scenes looked juvenile and took away some of the film's integrity. Bottom line: definitely worth a viewing. Thanks nm!