The Skull (1965)

Director:

Freddie Francis

Writers:

Robert Bloch (story)
Milton Subotsky (writer)

Release Date:

25 August 1965 (USA)

Genre:

Horror | Thriller

Tagline:

When the Skull strikes you'll Scream!

Plot:

A collector comes into possession of the skull of the Marquis de Sade and learns it is possessed by an evil spirit.

Plot Keywords:

Skull | Marquis De Sade | Collector | Nightmare | Doctor

Cast

Peter Cushing	...	Dr. Christopher Maitland
Patrick Wymark	...	Anthony Marco
Jill Bennett	...	Jane Maitland
Nigel Green	...	Inspector Wilson
Patrick Magee	...	Police Surgeon
Peter Woodthorpe	...	Bert Travers, Marco's Landlord
Michael Gough	...	Auctioneer
George Coulouris	...	Dr. Londe
April Olrich	...	French Girl
Maurice Good	...	Pierre, Phrenologist
Anna Palk	...	Maid
Frank Forsyth	...	Judge
Paul Stockman	...	First Guard
Geoffrey Cheshire	...	Second Guard
George Hilsdon	...	Policeman

Runtime:

83 min

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Norway:16 | UK:X | Finland:(Banned) | Finland:K-16 (re-rating) | France:-12 | Sweden:15

Company:

Amicus Productions

Trivia:

The heirs of Donatien Alphonse François de Sade pressed charges to prevent any use of his name on the advertising material. The changes on posters and lobby-cards were made at the very last minute by sticking the new title "Le Crâne Maléfique" (meaning "The Evil Skull") on top of the former, "Les forfaits du Marquis de Sade" (meaning "the Infamies of Marquis de Sade"). Only on that condition the film could finally be released in the French territory.

Goofs:

Continuity: The table seen at the very end of the film that the skull sits on is different from the table it is on through the rest of the movie. The table seen in the ending has no pattern, just horizontal wood grains. The table seen earlier has a pattern of hexagons.

Quotes:

[first lines]
Pierre: What are you doing here?
French Girl: Aren't you pleased to see me?

Movie Connections:

Edited into Out of this World Super Shock Show (2007) (V)

THE SKULL (Freddie Francis, 1965) ***

This was among the first vintage horror films I recall watching, but it took me this long to re-acquaint myself with it (after I had foolishly abandoned the prospect of a second viewing as part of a late-night Italian TV program hosted by two amiable ghouls – the same thing would also happen with Hammer's FRANKENSTEIN AND THE MONSTER FROM HELL [1974], which I then had to wait some 13 years to catch up with!).

Anyay, though the film's premise, in itself, is rather daft – that of a host of antiquarians being 'possessed' by the skull of the Marquis De Sade – the result is very stylish and altogether one of Hammer rival Amicus' most satisfying outings. Apart from director Francis, the men behind Amicus – Max J. Rosenberg and Milton Subotsky (the latter also scripted, from a story by Robert Bloch of PSYCHO [1960] fame) – again recruited Hammer's two most popular stars, Peter Cushing and Christopher Lee, for this production. As ever, they play extremely well off each other – even if Lee, ostensibly, is only a "Guest Star" – delivering typically committed performances: Cushing has fun acting crazy – under the influence of the skull – towards the end (and also during a surreal nightmare sequence in which he's forcefully taken before a judge who promptly hands him a gun to play at Russian Roulette!), whereas Lee gives surprising poignancy to his role. Supporting them is a splendid cast indeed – led by Patrick Wymark, who actually matches the stars with his seedy supplier of generally weird artifacts, and the brief (albeit equally welcome) presence of the likes of George Coulouris, Michael Gough, Nigel Green and Patrick Magee!

While Francis creates wonderful atmosphere via the cinematography (particularly when shooting through the skull's eyehole) and the set design (the film starts off as a period piece but then reverts to a modern-day setting for the central plot line), I do feel that the possibilities presented by the nonetheless intriguing theme are regrettably constrained by censorship and budgetary restrictions – so that the Marquis De Sade's legacy seems somehow to have been mixed up with that of Jack The Ripper! In any case, THE SKULL is generally considered nowadays as Francis' best directorial effort – though I personally feel NIGHTMARE (1964), THE PSYCHOPATH (1966) and THE CREEPING FLESH (1973) to be superior to it…