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Simon of the Desert (1965)
"Simón del desierto" (original title)

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Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.

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(based on a story by), (screenplay), 1 more credit »
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Title: Simon of the Desert (1965)

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Cast

Cast overview:
Claudio Brook ...
...
Enrique Álvarez Félix ...
Brother Matías
Hortensia Santoveña ...
The Mother
Francisco Reiguera ...
Luis Aceves Castañeda ...
Priest
Enrique García Álvarez
Antonio Bravo ...
Priest
Enrique del Castillo ...
The Mutilated One
Eduardo MacGregor
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Storyline

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Plot Keywords:

saint | miracle | temptation | desert | devil | See more »

Genres:

Comedy | Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 February 1970 (Mexico)  »

Also Known As:

Simon of the Desert  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The film was released theatrically in Italy in 1975 as a double-bill with Dutchman (1967). See more »

Goofs

When the coffin is floating through the desert toward Simon's pillar, the wire pulling the coffin can be seen several times. See more »

Quotes

Simon: What's this dance called?
The Devil: "Radioactive Flesh." It's the latest - and the last!
See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Himnos de los Peregrinos
Written by Raúl Lavista
See more »

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User Reviews

 
Cinema's tallest soapbox
2 May 2000 | by (Wichita, Kansas) – See all my reviews

The funding for this gleefully blasphemous feature was pulled before the film was completed, resulting in an abrupt and not quite satisfying ending. Still, what's left is a little slice of heaven (pun intended) with some of its directors most direct and powerful attacks on the clergy he made a career of hating. Bunuel here presents us with an ascetic so self-involved that he declines to embrace his own mother; he restores the hands to a peasant who immediately uses them to strike his own child; he prides himself on eating only lettuce, mentioning it often and to anyone who will listen. "Simon" is a good-looking film, too, with a visual landscape that echoes its protagonist's austerity and startling surreal touches -- such as a coffin that slides through the desert scrub to the base of the column atop which Simon spends his years -- that recall the glory days of "L'Age d'Or." It might have been a masterpiece had Bunuel been allowed the full scope of his vision; it's a major film as is. 8/10


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