Alex Forrester, convicted of murdering his wife, fails to gain his release after spending 10 years in a British asylum for the criminally insane. Dr. Mark Fleming, Forrester's psychiatrist,... See full summary »

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Cast

Complete credited cast:
...
Molly Thomas
...
Alex Forrester
...
Dr. Mark Fleming
...
The Vicar
Joyce Worsley ...
Mrs. Barnes
Leslie Denison ...
Superintendant Bickley
...
Dr. Graham
Hedley Mattingly ...
Police Constable Mort Rogers
Carol Veazie ...
Auntie
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Storyline

Alex Forrester, convicted of murdering his wife, fails to gain his release after spending 10 years in a British asylum for the criminally insane. Dr. Mark Fleming, Forrester's psychiatrist, informs him of an old law which provides for the reopening of a trial if the prisoner escapes and remains at large for 14 days. Forrester escapes and takes refuge in the home of Molly Thomas, who claims that she is awaiting the return of her husband from a trip to The Hague. Molly tells him of her unhappy marriage, and the two become attracted to each other. In the evening, Forrester discovers a man's body by the mill wheel of Molly's house. After stumbling down a flight of steps, he regains consciousness and finds that the body is missing. The corpse is later found by the police, and Molly identifies the dead man as her husband. Written by alfiehitchie

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

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Release Date:

4 December 1964 (West Germany)  »

Also Known As:

A Marca do Crime  »

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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Connections

Remade as Ittefaq (1969) See more »

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User Reviews

 
Nifty thriller with unexpected surprise ending
26 June 2006 | by (Rockville, Maryland) – See all my reviews

I also give this b/w thriller high marks. The story is good and as mentioned in another comment, the set is terrific and the atmosphere of suspense and intrigue sustains your interest. You begin to suspect that something's not quite right, but you're still surprised when it is revealed. One of my favorite actors, whom I had the pleasure of knowing briefly, was Edward Mulhare, and this is one of the few chances he was given in this country to show his appeal. Whitman reaffirms that he was a very underrated actor, despite his Oscar Nomination for "The Mark", having ultimately been relegated to B-Westerns and some unexceptional, though frequent, TV guest appearances. All in all, a very well-spent 74 minutes or so.


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