Mr. Moto goes undercover to find out who has been blowing up oil wells and trying to gain total control of all the oil leases from a petroleum-rich Middle Eastern country.
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Sinister forces are behind the blowing up of oil wells in an attempt to gain control of key oil fields. Moto is assigned by British-based Beta Oil Corporation and the Foreign Office to discover who is conspiring to control the oil leases of the petroleum-rich emirate of Wadi Shammar. After an attempt on his life fails, Moto goes undercover disguised as a Japanese businessman and discovers a plot against the life of the Shahrdar of Wadi Shammar. Moto is aided in his efforts by beautiful Beta Oil secretary Maxine Powell and Police Inspector Jim Halliday. Written by
Gabe Taverney (duke1029@aol.com)
Mr. Moto:
[after being mistakenly thrown by Halliday]
Maxine, did he hurt you?
Maxine Powell, Lennox's Secretary:
[lying with her skirt pulled up on the couch]
I don't think so, but my dignity's in awful shape!
Inspector Jim Halliday:
[obviously liking what he sees]
It looks fine from here.
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One of the interesting things (looking back) about the original Mr. Moto series is its timing relative to WWII. It was also quite well written and, like many classics, provides some good commentary on society of that time. I think a post-WWII Moto film would be a good idea, but not this one. Poorly written and poorly acted, this film certainly does not do justice to a fine old classic. With the original Mr. Moto played by a German and Charlie Chan by a Swede, one would think that our enlightened 1960's society would at least come up with a proper Japanese-descent actor to play Moto. They certainly didn't pay a lot for the script and even less for sets. The feeble attempt with two folding screens and a cheap print of a Geisha on the Moto's wall didn't quite make us believe Moto's "orientalness". I hope someone takes another, better, stab at bringing back Mr. Moto.
6 of 13 people found this review helpful.
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One of the interesting things (looking back) about the original Mr. Moto series is its timing relative to WWII. It was also quite well written and, like many classics, provides some good commentary on society of that time. I think a post-WWII Moto film would be a good idea, but not this one. Poorly written and poorly acted, this film certainly does not do justice to a fine old classic. With the original Mr. Moto played by a German and Charlie Chan by a Swede, one would think that our enlightened 1960's society would at least come up with a proper Japanese-descent actor to play Moto. They certainly didn't pay a lot for the script and even less for sets. The feeble attempt with two folding screens and a cheap print of a Geisha on the Moto's wall didn't quite make us believe Moto's "orientalness". I hope someone takes another, better, stab at bringing back Mr. Moto.