An Italian official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released--but then ... See full summary »
A lady killer tracked by the police, takes refuge at a psychiatrist's home, and the doctor tells him three stories, to convince him that crime does not pay. In Vienna, an investigative ... See full summary »
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to ... See full summary »
Emilio di Roccabruna count of Ventimiglia is fighting Van Gould who ten years before had killed his father and stolen his family properties. He is known as "Il Corsaro Nero" (The Black ... See full summary »
During a hunt for a ferocious tiger terrorizing an Indian village,ex-army Major Harry Black comes across his former wife Chris and her new husband, Desmond Tanner, who met Black in a German POW camp in WW2.
Stewart Granger's last foray into the spy genre opens with a stripper act where a bullfight film is projected onto a girl's body as she seductively removes her clothing. I can't help but see this as a metaphor for the general attitude of the film in treating women as appliances, or worse. Of Granger's three spy films made in the 60's (the other two being Red Dragon and Target For Killing), this is the most violent and misogynist.
The film wants to be a morality play but the lack of conviction for such things shows through too often to be taken seriously. It's a pretty tight little espionage thriller but the hidden agendas of the filmmakers make it clear we're in the hands of the less capable. What could have been a cynical look at the meaninglessness of politics at this level, and it certainly tries to be that, the film instead reveals itself as a showcase of redneck attitudes and poor judgment. Adding insult to injury is the fact the score by no less than Piero Umiliani is not up to the standard we have come to expect.
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