| Photos (See all 19 | slideshow) |
| Catherine Deneuve | ... | Carol | |
| Ian Hendry | ... | Michael | |
| John Fraser | ... | Colin | |
| Yvonne Furneaux | ... | Helen | |
| Patrick Wymark | ... | Landlord | |
| Renee Houston | ... | Miss Balch | |
| Valerie Taylor | ... | Madame Denise | |
| James Villiers | ... | John | |
| Helen Fraser | ... | Bridget | |
| Hugh Futcher | ... | Reggie | |
| Monica Merlin | ... | Mrs. Rendlesham | |
| Imogen Graham | ... | Manicurist | |
| Mike Pratt | ... | Workman | |
| rest of cast listed alphabetically: | |||
| Lewis Alexander | ... | Neighbour (uncredited) | |
| Mel Churcher | ... | Nun (uncredited) | |
| Maxwell Craig | ... | Workman (uncredited) | |
| Aileen Lewis | ... | Neighbour (uncredited) | |
| Jim O'Brady | ... | Workman (uncredited) | |
| Roman Polanski | ... | Spoon Player (uncredited) | |
| Charles Rayford | ... | Barman (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Roman Polanski | (original screenplay) & | |
| Gérard Brach | (original screenplay) (as Gerard Brach) | |
| David Stone | (adaptation & additional dialogue) | |
Produced by | |||
| Gene Gutowski | .... | producer | |
| Robert Sterne | .... | associate producer | |
| Sam Waynberg | .... | associate producer | |
| Michael Klinger | .... | executive producer (uncredited) | |
| Tony Tenser | .... | executive producer (uncredited) | |
Original Music by | |||
| Chico Hamilton | (music composed by) | ||
Cinematography by | |||
| Gilbert Taylor | (director of photography) | ||
Film Editing by | |||
| Alastair McIntyre | |||
Art Direction by | |||
| Seamus Flannery | |||
Makeup Department | |||
| Gladys Leakey | .... | hairdresser | |
| Tom Smith | .... | make-up | |
Second Unit Director or Assistant Director | |||
| Ted Sturgis | .... | first assistant director | |
| Robert Watts | .... | second assistant director (uncredited) | |
Art Department | |||
| Alf Pegley | .... | props | |
| Frank Willson | .... | assistant art director | |
Sound Department | |||
| Stephen Dalby | .... | sound supervisor | |
| Les Hammond | .... | sound mixer (as Leslie Hammond) | |
| Gerry Humphreys | .... | sound recordist | |
| Tom Priestley | .... | sound editor | |
| Lionel Strutt | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Alan Hall | .... | camera operator | |
| Stanley A. Long | .... | camera operator (uncredited) | |
| Laurie Turner | .... | stills (uncredited) | |
Editorial Department | |||
| Karen Heward | .... | assistant editor | |
Music Department | |||
| Chico Hamilton | .... | music conducted by | |
| Gábor Szabó | .... | orchestrator (as Gabor Szabo) | |
| Chico Hamilton | .... | musician: drums (uncredited) | |
| John Scott | .... | musician: tenor sax/flute (uncredited) | |
Other crew | |||
| Terry Glinwood | .... | production controller | |
| Michael Klinger | .... | presenter | |
| Tony Tenser | .... | presenter | |
| Dee Vaughan | .... | continuity | |
| Maurice Binder | .... | title designer (uncredited) | |
|
|
|
|
|
| The Living and the Dead | Blood and Black Lace | Peeping Tom | Freeway | Deep Red |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Disturbing, harrowing tale of one girls' (Catherine Deneuve) descent into madness.
Catherine Deneuve's performance is fantastic--she plays it just right. Quite an accomplishment considering she was only 22 at the time! Roman Polanski's direction, beautiful black and white photography and effective use of sound really helps the film. Ahead of it's time.
Some people have complained about being bored by this film...I'm assuming they're watching in on TV. It's true--the film doesn't play as well on TV. I was lucky enough to see it for the first time in a theatre and it scared me silly. On a big screen you're pulled into the girls' madness--I was jumpy for days afterwards.
On TV it just doesn't work. It's still good, but nowhere near as unsettling. So, if you're going to see it, try to see it on a big-screen TV. This film almost never plays at revival cinemas--a real shame. Probably Polanski's best film next to "Chinatown".