A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to ... See full summary »
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
A Belgian girl, Carol, works as a manicurist at a London beauty salon. While having lunch, a good looking young man, Colin, spots her and makes a date for another evening. She shares a flat with her sister Helen. Her sister's married lover, Michael, brings out her dislike of men which she cannot explain to Colin. Michael takes Helen abroad for a holiday. Left alone in their flat, Carol's moments of catalepsy and hallucination increase and deepen into madness. Written by
Catherine Deneuve suffers from an industrial-strength case of sexual repression
In "Repulsion" the gorgeous Catherine Deneuve suffers from an industrial-strength case of sexual repression, coupled with a hefty dose of sibling rivalry which foists upon her a succession of rape fantasies and delusional hallucinations. Polanski's direction is unparalleled as he elicits a creepy terror through the use of some fairly unconventional special-effects. The subjective world created for the heroine is a series of dreams and visions of a decaying apartment and psycho-sexual fantasy and this is what the film seems to be about. The cracking walls are perhaps one of the most ingeniously horrifying special-effects in cinematic history. The lack of dialogue that runs throughout complements the restrained narrative design as the neurotic obsessions remain largely unexplained. But for better or for worse, I think better, Polanski's final frame settles on an image which cryptically resolves the entire enigma with a kind of devastating efficiency. All in all, one of the great films of the 1960s.
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