The story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée... See full summary »
The story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée Holly, but before she arrives, he dies in a race. Since she hasn't got the money to travel back, she stays. The young and very ambitious talent Ned Arp joins the team and immediately starts wooing Pat's sister Julie. Third in the team is womanizer Dan McCall, who brings with him his current girlfriend Gabrielle from Paris. So the basic theme of this soap is "Who with whom?" Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The white #28, 1964 and 1965 Ford Galaxies featured were owned and prepared by Holman and Moody. These cars were driven by Fred Lorenzen in NASCAR competition for 8 wins in 1964 and four wins in 1965. See more »
(at around 40 mins) A shot of Richard Petty driving shows him on the right side of the car. The negative must have been reversed. See more »
Only James Caan and Marianna Hill are worth watching...
Red Line 7000, one of Howard Hawks's later films, is generally considered one of his worst, thanks to fake-looking racing scenes, hilariously inappropriate dialogue and musical sequences, and ghastly performances from never-weres such as James Ward, Laura Devon, Gail Hire and particularly John Robert Crawford. But the film is redeemed by the dynamic chemistry between James Caan and the exciting Marianna Hill in their individual scenes together. Caan shows in this film the intensity and talent that would make him one of the best actors of the early-1970s, and Hill's performance, on-par with other memorable Howard Hawks discoveries as Lauren Bacall and Angie Dickinson, makes you wonder why she didn't become a bigger star before fading into obscurity. Particularly memorable are Hill's two lusty dancing sequences, at the nightclub and later in front of the Holiday Inn Pepsi machine, as James Caan observes her from afar. Caan and Hill redeem Red Line 7000 from being a total disaster--the movie should have focused only on their characters and gotten rid of everybody else--but, even with its many weaknesses, the film is still more intriguing than the overrated Grand Prix (1966) anyday.
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