Youngblood Hawke is a truck driver from Kentucky who comes to New York City to become a hot-shot writer. Almost immediately, he meets editor Jeanne Green. She sees great promise in Hawke's ... See full summary »
A former British Naval Officer now makes his living by smuggling goods around the Mediterranean. After being forced to dump his cargo after nearly being caught by the authorities in Malta, ... See full summary »
Jocko De Paris, cadet leader in a Southern military academy, so manipulates events that George Avery, Jr., son of the school's executive officer, is found drunk and expelled. Through ... See full summary »
Peter Mark Richman
Lt. Hazard, fresh out of West Point, arrives in Arizona Territory at hot, dusty, Fort Delivery. Appalled by the lax discipline of its troops, he restricts their privileges and subjects them... See full summary »
Prudence resigns from her teaching position after being criticized for giving a student her copy of a romance novel. She sails for Italy, takes a job at a small bookstore in Rome, and meets... See full summary »
Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother, Brock. One evening, at a Christmas party, Grace meets Sidney Tate, a gentleman farmer. They fall in love, and he asks her to marry him. Grace accepts, but only after making it clear that there are some things about her past she's not at all proud of. Sidney is taken aback by Grace's candid admission, but still wants to marry her. Grace promises to be faithful to Sidney; it's a promise she has every intention of keeping, until a former casual acquaintance, Roger Bannon, re-enters her life. Written by
Eugene Kim <firstname.lastname@example.org>
Take it easy, Grace...! Think of a good lie to tell your husband. Tell him you're late because the car broke down...tell him anything! Even make love to him...after all, you need him more than other men! See more »
Sue Lyon named in fan magazines for an unspecified role that went to someone else. See more »
All right, you win. You get your dull little story off your big manly chest, but you make it fast, huh?
From the first time I saw you -- and that was five years ago, when I worked for Lanigan and Doyle -- I haven't been able to stop looking. Not that I wanted to stop. Looking at you became one of the big pleasures of my life. Maybe the biggest. It got so I had you memorized. But I didn't realize that until I was overseas for a while. Then, all the other things began to get hazy. ...
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Gorgeous, intense, well acted, nicely set in the early 60s...
A Rage to Live (1965)
A fabulous movie, well written, beautifully filmed and acted, intense and fast and beautiful, a real dramatic drama. And Suzanne Pleshette as the star is an astonishment, subtle and sharp and exactly what her part demands as the rich and sexually charged girl in a sleepy Pennsylvania town. Her two main men, played by Ben Gazzara and Bradford Dillman, are right on as well, and throw in Peter Graves as a third man in her life, and you get the range of characters and a sense of the plot. Yes, she's pulled by a handsome guy whether it's her husband or not.
And yet she never comes off to me as the "tramp" that some call her. She's warm and generous and seems to just be living her life as a nice person, even regretting her slipping off the straight and narrow now and then. The town's reaction is startling and believable. A really fabulous situation, a soap opera of sorts, but given a wonderful sense of form and pace and eventually high drama.
Director Walter Grauman is not a household name of course, and he directed mainly television, but he makes this a very slick and powerful production. The second half, especially, where Gazzara and Pleshette have a lot of screen time together, develops emotionally. Yes, the turns and conflicts are not total surprises, but they're well placed. Gazzara might be familiar to some for his role in "Anatomy of a Murder" across from Jimmy Stewart. Pleshette had a career with few great movies, but she did appear (second to Tippy Hedron) in "The Birds."
A vastly underrated movie, coming just a year or so before the big shift in styles and "New Hollywood." It's widescreen black and white, quite a treat to watch on every level. I guarantee it'll rise in value over the next decade.
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