Youngblood Hawke is a truck driver from Kentucky who comes to New York City to become a hot-shot writer. Almost immediately, he meets editor Jeanne Green. She sees great promise in Hawke's ... See full summary »
Lt. Hazard, fresh out of West Point, arrives in Arizona Territory at hot, dusty, Fort Delivery. Appalled by the lax discipline of its troops, he restricts their privileges and subjects them... See full summary »
Womanizing Brit Charlie Cartwright is about to conduct Worldwind Tour #225, a nine country, eighteen day bus trip from London to Rome. He uses these tours in large part to catch up with his... See full summary »
The end of WW2. Allied forces enter a well-guarded German rocket base and kidnap among others the rocket scientist Dr. Von Heinken. When they try to get away they are followed both by ... See full summary »
Joe Lampton thought he had really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his ... See full summary »
One by one members of a special project team are being killed by telekinesis - the ability to move things with the power of the mind alone. The race is to determine which of the remaining team members is the murderer and to stop them.
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother, Brock. One evening, at a Christmas party, Grace meets Sidney Tate, a gentleman farmer. They fall in love, and he asks her to marry him. Grace accepts, but only after making it clear that there are some things about her past she's not at all proud of. Sidney is taken aback by Grace's candid admission, but still wants to marry her. Grace promises to be faithful to Sidney; it's a promise she has every intention of keeping, until a former casual acquaintance, Roger Bannon, re-enters her life. Written by
Eugene Kim <firstname.lastname@example.org>
All right, you win. You get your dull little story off your big manly chest, but you make it fast, huh?
From the first time I saw you -- and that was five years ago, when I worked for Lanigan and Doyle -- I haven't been able to stop looking. Not that I wanted to stop. Looking at you became one of the big pleasures of my life. Maybe the biggest. It got so I had you memorized. But I didn't realize that until I was overseas for a while. Then, all the other things began to get hazy. ...
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Gorgeous, intense, well acted, nicely set in the early 60s...
A Rage to Live (1965)
A fabulous movie, well written, beautifully filmed and acted, intense and fast and beautiful, a real dramatic drama. And Suzanne Pleshette as the star is an astonishment, subtle and sharp and exactly what her part demands as the rich and sexually charged girl in a sleepy Pennsylvania town. Her two main men, played by Ben Gazzara and Bradford Dillman, are right on as well, and throw in Peter Graves as a third man in her life, and you get the range of characters and a sense of the plot. Yes, she's pulled by a handsome guy whether it's her husband or not.
And yet she never comes off to me as the "tramp" that some call her. She's warm and generous and seems to just be living her life as a nice person, even regretting her slipping off the straight and narrow now and then. The town's reaction is startling and believable. A really fabulous situation, a soap opera of sorts, but given a wonderful sense of form and pace and eventually high drama.
Director Walter Grauman is not a household name of course, and he directed mainly television, but he makes this a very slick and powerful production. The second half, especially, where Gazzara and Pleshette have a lot of screen time together, develops emotionally. Yes, the turns and conflicts are not total surprises, but they're well placed. Gazzara might be familiar to some for his role in "Anatomy of a Murder" across from Jimmy Stewart. Pleshette had a career with few great movies, but she did appear (second to Tippy Hedron) in "The Birds."
A vastly underrated movie, coming just a year or so before the big shift in styles and "New Hollywood." It's widescreen black and white, quite a treat to watch on every level. I guarantee it'll rise in value over the next decade.
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