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A Rage to Live (1965)

6.3
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Ratings: 6.3/10 from 246 users  
Reviews: 18 user | 3 critic

A woman's sexual compulsions threaten to destroy her marriage.

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Title: A Rage to Live (1965)

A Rage to Live (1965) on IMDb 6.3/10

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
...
Sidney Tate
...
Roger Bannon
...
Jack Hollister
...
Amy Hollister
...
Emily Caldwell
Linden Chiles ...
Brock Caldwell
...
Dr. O'Brien
...
Mrs. Bannon
...
Charlie Jay
Sarah Marshall ...
Connie
...
Paul Rutherford
Virginia Christine ...
Emma
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Storyline

Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother, Brock. One evening, at a Christmas party, Grace meets Sidney Tate, a gentleman farmer. They fall in love, and he asks her to marry him. Grace accepts, but only after making it clear that there are some things about her past she's not at all proud of. Sidney is taken aback by Grace's candid admission, but still wants to marry her. Grace promises to be faithful to Sidney; it's a promise she has every intention of keeping, until a former casual acquaintance, Roger Bannon, re-enters her life. Written by Eugene Kim <genekim@concentric.net>

Plot Summary | Add Synopsis

Taglines:

The story of Grace Caldwell Tate really began in the back seat of a car... ...and went from man...to man...to man... See more »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

12 November 1965 (Sweden)  »

Also Known As:

John O'Hara's A Rage to Live  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Sue Lyon named in fan magazines for an unspecified role that went to someone else. See more »

Quotes

Grace Caldwell: I thought I loved him, and then I found I could feel the same way about someone else, someone different.
Brock Caldwell: Grace, that isn't love.
Grace Caldwell: No. But it's being wanted and needed and held close. It's almost love.
Brock Caldwell: "Almost love"? You don't have to settle for that.
Grace Caldwell: I'm not settling.
Brock Caldwell: I just don't get this. You talk like a girl who's got nothing else in her life, who nobody cares about ...
Grace Caldwell: No ...
Brock Caldwell: Well, that's the way it sounds --
Grace Caldwell: I don't care how it sounds. When I feel that way, I can't think of anything else. ...
See more »

Soundtracks

Rage To Live
Music by Art Ferrante and Lou Teicher
Lyrics by Noel Sherman
Performed on two pianos by Art Ferrante (as Ferrante) and Lou Teicher (as Teicher)
See more »

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User Reviews

 
rage against the dying of the light!
17 May 2005 | by (United States) – See all my reviews

I thought that "A Rage To Live" was a fine -yet tragic- portrayal of a nymphomaniac (Suzanne Pleshette) struggling to find personal identity outside of the bedroom, auto backseat, etc. Also, the meaning & outer realms of "love" and how it factors into a one-sided, non-monogamous marriage. Ben Gazzara's character is very dark; a hard-working Irishman who desires material wealth as well as the flesh. There are several story lines that branch from Pleshette's infidelities, one of which brings a psychologically tragic aspect to the film. A feminist approach to this film might suggest that all of the other women in the film were overly (yet appropriately for the times) supportive of their husbands alone, living or deceased. Pleshette's character felt the need to find her true self with the help of emotional love, given to her for the first time by her husband. She constantly admits to having a "problem that she is embarrassed about", however she seeks no real counsel or help. Pleshette almost appears too aware of her faults yet acts baffled when she is caught. Her character is too assuming of others' forgiveness, using the age-old "I said I was sorry" routine almost every time. The "encounters" are subtle and portrayed very tactfully as well, I suppose because it was still the 1960's; I would hate for this film to be remade because I'm sure that some of the scenes would have overblown sexual situations.


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