Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter... See full summary »
Pierre, 44, contentedly divorced, takes his teen daughter to the Côte d'Azur along with his friend Jacques and Jacques' own teen daughter, Françoise. On the topless beaches of Saint-Tropez,... See full summary »
To celebrate his wedding anniversary, Jean-Pierre buy her partner an English bulldog of 4 months "Trésor". Nathalie is delighted and engaged in a deep and loving relationship with the pet. But having a pet at home brings difficulties.
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
An anguished foster child takes to mischief and lies as his foster parents do their best to love and care for him. But it might be too little, too late in this emotionally devastating portrayal of the orphaned child.
This quaint 15-minute French effort won the 1965 Oscar for Best Live- Action Short and was equally recognized at the Venice Film Festival; I opted to keep the original title as opposed to the English moniker THE CHICKEN in view of the fact that I watched it without the benefit of subtitles.
That said, there is very little dialogue involved and, in any case, it proved quite easy to follow with a plot dealing with a man acquiring a cock to fatten for an eventual dinner, which his son wishes to keep as a pet instead. The child even devises the ruse of its laying numerous eggs, which his parents initially concede as a mistaken in having been given a hen until the next day's dawning, at which it instinctively starts to crow! By now, however, the boy's innocent tantrums have warmed the hearts of Mum and Dad (played by familiar rotund character actor Jacques Marin), so they decide to let the animal live after all.
Director Berri (whose debut this was) later graduated to features, eventually becoming one of the leading figures of his native cinema with such classy period pieces as JEAN DE FLORETTE and MANON DE SOURCES (both 1986) and GERMINAL (1993).
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