Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
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A French striptease artist is desperate to become a mother. When her reluctant boyfriend suggests his best friend to impregnate her, feelings become complicated when she accepts.
Director:
Jean-Luc Godard
Stars:
Jean-Claude Brialy,
Anna Karina,
Jean-Paul Belmondo
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Vincent Gallo
Stars:
Vincent Gallo,
Christina Ricci,
Ben Gazzara
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She ... See full summary »
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Pedro Almodóvar
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Victoria Abril,
Antonio Banderas,
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Stars:
Turo Pajala,
Susanna Haavisto,
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Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military... See full summary »
Director:
Jacques Demy
Stars:
Catherine Deneuve,
George Chakiris,
Françoise Dorléac
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
Director:
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Odile is looking for a new, bigger apartment. Her younger sister Camille just completed her doctoral thesis has fallen in love with an estate agent who is responsible for Odile's apartment ... See full summary »
Director:
Alain Resnais
Stars:
Pierre Arditi,
Sabine Azéma,
Jean-Pierre Bacri
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run. Written by
Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
This is one of the truly great revolutionary movie experiences of all times. "Pierrot Le Fou" represents what was perhaps the most difficult moment of Godard's controversial career: he was fighting and struggling for make a not commercial movie, something almost impossible with the presence of Belmondo (you have to consider the huge success that this actor had at the time) and a important figure of international cinema such as Dino De Laurentiis being responsible for the distribution of the movie at the time of it's original release. And yet he wanted to put on the screen (well, actually WIDESCREEN) all his questions about cinema, politic, marxism, literature, music and pop culture; well, all the questions that he had at that time. And even with all those problems he was able to make a masterpiece, one of his best and most accessible moments. For those of you who have seen the movie, imagine only this (in a allegoric way): Pierrot's Italian wife is the dangerous commercial international production represented by De Laurentiis, Anna Karina's role represents the nouvelle vague, Samuel Fuller is Samuel Fuller and Belmondo's existential search is Godard's own doubts about the possibilities of cinema. One of the best things that Godard has ever done, "Pierrot Le Fou" is a landmark for the avant-garde cinema that we all love. Now I could spend hours talking about the strange beauty of Anna Karina, the magnificent photography in widescreen Techniscope (utilized at it's limits), the great use that Godard makes of his ironic narrative and ALL the wonders of this movie, but all that I'm going to say is this:
LONG LIVE GODARD!!!
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This is one of the truly great revolutionary movie experiences of all times. "Pierrot Le Fou" represents what was perhaps the most difficult moment of Godard's controversial career: he was fighting and struggling for make a not commercial movie, something almost impossible with the presence of Belmondo (you have to consider the huge success that this actor had at the time) and a important figure of international cinema such as Dino De Laurentiis being responsible for the distribution of the movie at the time of it's original release. And yet he wanted to put on the screen (well, actually WIDESCREEN) all his questions about cinema, politic, marxism, literature, music and pop culture; well, all the questions that he had at that time. And even with all those problems he was able to make a masterpiece, one of his best and most accessible moments. For those of you who have seen the movie, imagine only this (in a allegoric way): Pierrot's Italian wife is the dangerous commercial international production represented by De Laurentiis, Anna Karina's role represents the nouvelle vague, Samuel Fuller is Samuel Fuller and Belmondo's existential search is Godard's own doubts about the possibilities of cinema. One of the best things that Godard has ever done, "Pierrot Le Fou" is a landmark for the avant-garde cinema that we all love. Now I could spend hours talking about the strange beauty of Anna Karina, the magnificent photography in widescreen Techniscope (utilized at it's limits), the great use that Godard makes of his ironic narrative and ALL the wonders of this movie, but all that I'm going to say is this:
LONG LIVE GODARD!!!