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Pierrot le Fou (1965)
"Pierrot le fou" (original title)

 -  Crime | Drama | Romance  -  8 January 1969 (USA)
7.8
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Ratings: 7.8/10 from 14,414 users  
Reviews: 67 user | 85 critic

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

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Title: Pierrot le Fou (1965)

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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Ferdinand Griffon, 'Pierrot' (as Jean Paul Belmondo)
...
Graziella Galvani ...
La femme de Ferdinand
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Storyline

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

8 January 1969 (USA)  »

Also Known As:

Pierrot le Fou  »

Filming Locations:

 »

Box Office

Budget:

$300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Samuel Fuller:  The American film director in the party scene. See more »

Quotes

FerdinardMarianne: Why do you look so sad? Because you speak to me in words and I look at you with feelings.
See more »

Connections

Referenced in Fierrot le pou (1990) See more »

Soundtracks

Ma Ligne de Chance
By Antoine Duhamel and Serge Rezvani
Performed by Anna Karina and Jean-Paul Belmondo
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User Reviews

 
The further adventures of Franz and Odile
22 June 2007 | by (Brooklyn, New York) – See all my reviews

At the end of Godard's "Band of Outsiders" (1964), it's promised that the next film will be the further adventures of Franz and Odile in South America, in Cinemascope and color. Well, maybe they didn't get as far as South America, but "Pierrot le Fou" begins with Anna Karina dressed in her school girl outfit (with matching braided buns) from "Band of Outsiders": this film gets as far as the Riviera, but it is in Cinemascope and color, as Ferdinand and Marianne try to escape from the trappings of the bourgeoise world (as exemplified by the cocktail party, in which Ferdinand meets the American director Samuel Fuller, who tells him "What is Cinema?"). For Godard, "Pierrot le Fou" represented an important milestone in his career: in it, he would document the end of his relationship with Anna Karina. It is the most agonizingly romantic of his films: there are constant reminders as the narration insists on the ultimate mystery, the inability of one person to know another (there is the moment when Anna Karina is seen in close-up, as the narrator wonders when she says it's a nice day, does she really mean it's a nice day?), and the desolation of romantic desire.

Yet the brilliant color, the rapid rhythms, even the song-and-dance numbers (there are three) color the unhappiness, making this a vibrant tragicomedy. The film veers between exuberance and exhaustion, yet for all its free-wheeling formal invention, this is one of Godard's most emotionally direct films, a piercing lament on the perils of love.

(Godard would make two more films with Karina, the short "Anticipation", and "Made in USA", both films far more "formal" and less emotionally engaged; the end of the Godard-Karina marriage, the subtext of "Pierrot le Fou", would also inspire Jacques Rivette's "L'Amour Fou".)


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