Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his ... See full summary »
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She ... See full summary »
The movie tells the story of Taisto Kasurinen, a finnish coal miner whose father has just committed suicide and who is framed for a crime he did not commit. In jail, he starts to dream ... See full summary »
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military... See full summary »
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Odile is looking for a new, bigger apartment. Her younger sister Camille just completed her doctoral thesis has fallen in love with an estate agent who is responsible for Odile's apartment ... See full summary »
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Despite continual claims that Godard shot the majority of his films without scripts or preparation, actress Anna Karina has subsequently claimed that they were in fact very carefully planned out to the smallest of details, with an almost obsessive level of perfectionism. See more »
What are you doing?
[looking at the mirror]
Looking at myself.
And what do you see?
The face of a man who's driving towards a cliff at 100 km/h.
[turns the mirror towards herself]
I see a woman who is in love with the man who's driving towards a cliff at 100 km/h.
So let's kiss.
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Crime Story and Musical, Melodrama and Grotesque Comedy
"Film is like a battleground", tells Samuel Fuller Ferdinand in the beginning of this film: "Love, hate, action, violence, death. In one word: emotion." 'Pierrot le fou' is a 110 minutes film by Godard and his tenth feature. It's roughly based on a crime novel written by Lionel White. Tho, don't expect a linear adaptation. In fact, Godard and his actors mostly improvised and therefore deliver a dodgy 'surrealeperiment'.
The plot summary therefore must be given a little superficially: It's about a wannabe writer, Ferdinand Griffon (Belmondo) who escapes his every day life and runs off with his mistress Marianne (Karina) to the Mediterranean Sea. Far away from his family, he lives for the moment, reads books and tries to work on a diary. Meanwhile, the police and Algerian killers are chasing Marianne because she has committed a murder.
Godard assembles philosophical texts with shots of posters and screens, sets in musical elements and achieves to encode his film in a very inspiring way. Sometimes the imagery is fair and beautiful (i. e. Belmondo and Karina are running along a silhouette like forest which is photographed in front of a white, flat background), sometimes odious and angry (i. e. Belmondo finds an Algerian murdered with scissors and he keeps on raking in the wound), sometimes stirringly artistic (i. e. Karina takes the murder instrument, the scissors holds it in front of a wide-angle-lens and creates an unbelievably coherent effect of distortion).
Those who take the film with a living mind will experience a fascinating, beautifully filmed love story with two protagonists who do everything within the power of their tremendous acting potential. Concerning the contents, it is a cinematic toying with the duality of the characters (Ferdinand and Pierrot or Ferdinand or Marianne) or rather with schizophrenia. Belmondo plays a mad crackpot who first has a pretty martialistic based life as a husband and father whose world view staggers because of upcoming converse feelings - personated by Karina. She, married with Godard at that time, plays the character Marianne with wit, depth and anarchic charme. Her role is the symbolic enlightenment in Ferdinands being. While he strives melancholically for wisdom and always throbs on the importance of the arts, Marianne is a lackadaisical playgirl and swinger who wants to be instead of having. Belmondo as Ferdinand shows in all of his agility a vulnerability that hides behind the same gruffness of 'Une femme est une femme'.
'Pierrot le fou' is a film that dines from various influences, having some sort of private, economic, cultural or political natures. More than every other 'auteur' Godard manifests himself once more as the chronologist of his time.
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