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Pierrot le Fou (1965)
"Pierrot le fou" (original title)

 -  Comedy | Crime | Drama  -  8 January 1969 (USA)
7.8
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Ratings: 7.8/10 from 13,639 users  
Reviews: 66 user | 83 critic

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

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Title: Pierrot le Fou (1965)

Pierrot le Fou (1965) on IMDb 7.8/10

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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Ferdinand Griffon, 'Pierrot' (as Jean Paul Belmondo)
...
Graziella Galvani ...
La femme de Ferdinand
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Storyline

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

8 January 1969 (USA)  »

Also Known As:

Pierrot le Fou  »

Filming Locations:

 »

Box Office

Budget:

$300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One of the witnesses who notices Ferdinand and Marianne in Nice is called Lazlo Kovaks. This is the alias of Michel Poiccard in "À bout de soufflé" and also the name of Belmondo's character in Leda (1959). See more »

Quotes

Marianne: What are you doing?
Ferdinard: [looking at the mirror] Looking at myself.
Marianne: And what do you see?
Ferdinard: The face of a man who's driving towards a cliff at 100 km/h.
Marianne: [turns the mirror towards herself] I see a woman who is in love with the man who's driving towards a cliff at 100 km/h.
Ferdinard: So let's kiss.
See more »

Connections

Referenced in It's All Gone Pete Tong (2004) See more »

Soundtracks

Ma Ligne de Chance
By Antoine Duhamel and Serge Rezvani
Performed by Anna Karina and Jean-Paul Belmondo
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User Reviews

Cinema d'auteur all the way!!! Thanks for existing, Godard!!!
27 January 2000 | by (Florianópolis, Brazil) – See all my reviews

This is one of the truly great revolutionary movie experiences of all times. "Pierrot Le Fou" represents what was perhaps the most difficult moment of Godard's controversial career: he was fighting and struggling for make a not commercial movie, something almost impossible with the presence of Belmondo (you have to consider the huge success that this actor had at the time) and a important figure of international cinema such as Dino De Laurentiis being responsible for the distribution of the movie at the time of it's original release. And yet he wanted to put on the screen (well, actually WIDESCREEN) all his questions about cinema, politic, marxism, literature, music and pop culture; well, all the questions that he had at that time. And even with all those problems he was able to make a masterpiece, one of his best and most accessible moments. For those of you who have seen the movie, imagine only this (in a allegoric way): Pierrot's Italian wife is the dangerous commercial international production represented by De Laurentiis, Anna Karina's role represents the nouvelle vague, Samuel Fuller is Samuel Fuller and Belmondo's existential search is Godard's own doubts about the possibilities of cinema. One of the best things that Godard has ever done, "Pierrot Le Fou" is a landmark for the avant-garde cinema that we all love. Now I could spend hours talking about the strange beauty of Anna Karina, the magnificent photography in widescreen Techniscope (utilized at it's limits), the great use that Godard makes of his ironic narrative and ALL the wonders of this movie, but all that I'm going to say is this:

LONG LIVE GODARD!!!


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