Pervyy uchitel (1966)

User Rating:

8.0/10   

Director:

Andrei Konchalovsky

Writers:

Chingiz Aitmatov (story)
Chingiz Aitmatov (screenplay) ...

Release Date:

15 August 1966 (Soviet Union)

Genre:

Drama

Plot:

Soviet Union, near the Chinese border, 1923. A stranger has just come in this little country village...

Plot Keywords:

Political

Awards:

2 wins & 1 nomination

Cast

Bolot Bejshenaliyev	...	The school teacher
Natalya Arinbasarova	...	Altynai
Idris Nogajbayev	...	T
Darkul Kuyukova	...	Koltinai
rest of cast listed alphabetically:
M. Kychtobalev
S. Shumadylov

Also Known As:

Первый учитель (Soviet Union: Russian title)
The First Teacher

Runtime:

102 min | Argentina:99 min (Mar del Plata Film Festival)

Country:

Soviet Union

Language:

Russian

Color:

Black and White

Certification:

Finland:K-16 | Sweden:11 | Argentina:13

Filming Locations:

Kyrgyzstan

Company:

Gosudarstvenii Komitet po Kinematografii (Goskino

Movie Connections:

Featured in "Fejezetek a film történetéböl: A szovjet film 1953-1970 (#1.12)" (1990)

A touching story about a fervent ideologue who is a tad goofy

This early work by Adrei Konchalovsky, best known for the Hollywood movie Runaway Train, surpasses the typical Soviet propaganda film by daring to protray its protagonist as being so ideological he's goofy. The protagonist is a Red Army veteran named Diuishen who has been sent to a godforsaken section of Kirghizia to start the first school in the region. On the first day of school, the students ask him about death, and as their teacher, Diuishen is happy to answer their questions, until a little boy innocently asks him if Lenin is going to die someday. Diuishen becomes enraged at the suggestion that his god Lenin is actually mortal and, practically yanking the little boy's arm off, accuses him of being a counter-revolutionary. The boy, of course, has absolutely no idea what Diuishen is talking about.

This incident almost derails Diuishen's plans to start a school by scaring away his students, but Diuishen calms down and the children are wise enough to see that he is offering them a new and perhaps better way of life. Although the children accept him, the adults barely tolerate his presence since they see him as a threat to their way of doing things.

The movie shows Diuishen, propelled by his ideological fanaticism, learning to be human and the townsfolk, equally fanatic in their desire to keep the outside world at bay, gradually coming to terms with inevitable change. The ending, had the movie been made in Hollywood, might have been called Capraesque, but I think it is more touching than anything Capra would have done because it doesn't hit you over the head with its emotions. Instead, they sneak up on you. The lack of music at the end is particularly fitting. Instead of a booming orchestra, there's just the sound of axes.