10 items from 2015
Kino Lorber brings the 1967 spaghetti Western Face to Face to Blu-ray this month, one of director Sergio Sollima’s most notable titles, previously released on DVD as a box-set with the two other titles in Sollima’s trilogy The Big Gundown (1966) and Run, Man, Run (1968). Noted for imbuing his work with a bit of actual social and historical context, there’s a bit more substance than usual for a film relegated to the periphery of a movement dominated by a mere handful of notable names. Though it’s ultimately not at the same level as iconic works by Sergio Leone and hasn’t reached the same level of reappraisal as several other retroactively recuperated directors, it features more nuanced characterizations in its complex narrative structure than is usually evident in other titles of the era.
Boston professor Brad Fletcher (Gian Maria Volonte) is suffering from poor health, and is forced »
- Nicholas Bell
Quentin Tarantino's 35mm movie haven, now 37 this year, ditched digital last Fall when he took over programming. Despite skepticism of this celluloid model, Tarantino's $8 35mm double features work with La audiences. He kicks off August at the all-celluloid New Beverly with a print of "For a Few Dollars More" and will close the month with "A Fistful of Dollars," another classic Leone western Tarantino presented at Cannes 2014. Read More: Quentin Tarantino Enjoys Running the New Beverly, Even When He's Shooting a Movie In spirit of Summer smash "Mad Max: Fury Road," Tarantino presents a double feature of "Mad Max" and "The Road Warrior" in mid-August, followed by Charlie Chaplin double bills, and back-to-back Hitchcock classics "Notorious" and "Suspicion," both starring Cary Grant. Read More: Alfred Hitchcock's Top 25 Films, Ranked And of course, as you'll see in the calendar, there are plenty of Westerns »
- Ryan Lattanzio
Director Quentin Tarantino and the cast of his upcoming Western The Hateful Eight invaded Hall H at Comic-Con today, revealing the first footage to the massive crowd, although it hasn't gone online yet. But we did get a new poster. At the end of the panel, Quentin Tarantino made a surprise announcement that legendary composer Ennio Morricone will craft the score for The Hateful Eight, his first original Western score in over 40 years. Here's what the filmmaker had to say during the panel.
"I want to make one announcement that people don't know yet. It wasn't for sure, but we just settled it. You guys know that I don't use an original score in my movies, I kinda take scores from other movies and put 'em in there. This one, I thought should have an original score. So I'm here to announce that the great Ennio Morricone will be doing »
Quentin Tarantino and the cast of The Hateful Eight are currently showcasing the upcoming Western in Hall H at the San Diego Comic-Con, and as part of the panel it has been announced that legendary composer Ennio Morricone is set to provide an original score for the film.
See Also: New Comic-Con poster for The Hateful Eight
It will mark Morricone’s first original Western score in almost 35 years, having notably scored classic Spaghetti Westerns such as Sergio Leone’s A Fistful of Dollars, For a Few Dollars More, The Good, the Bad and the Ugly and Once Upon a Time in the West., as well as many others.
See Also: New images from The Hateful Eight
In The Hateful Eight, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Russell) and his fugitive »
- Gary Collinson
A very happy birthday to Clint Eastwood, born on May 31, 1930 in San Francisco. "His persona as a laconic anti-establishment icon was cemented early in his career, through his starring roles in A Fistful of Dollars (Sergio Leone, 1964), For a Few Dollars More (1965) and The Good the Bad and the Ugly (1966)," wrote Deborah Allison for Senses of Cinema in 2003. "His position as one of America’s most respected directors was cemented by his receipt of an Oscar for directing Unforgiven (1992)." Our overview of the career features clips and clashing points of view. » - David Hudson »
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. How to decide in the grand scheme of things which film year stands above all others? History gives us no clear methodology to unravel this thorny but extremely important question. Is it the year with the highest average score of movies? So a year that averages out to a B + might be the winner over a field strewn with B’s, despite a few A +’s. Or do a few masterpieces lift up a year so far that whatever else happened beyond those three or four films is of no consequence? Both measures are worthy, and the winner by either of those would certainly be a year not to be sneezed at. But I contend the only true measure of a year’s »
- Richard Rushfield
In the enduring, boundless shadow of Sergio Leone’s legacy, a deluge of neglected and forgotten Italian genre titles languish undeservedly, ready for rediscovery. Arrow Video has dusted off a masterful example long overdue, Tonino Valerii’s 1967 sophomore feature, Day of Anger (aka Gunlaw). Valerii worked as Leone’s assistant on A Fistful of Dollars and For a Few Dollars More before launching his own directorial career, re-fashioning the villainous energy of Lee Van Cleef in the actor’s effort to break out on his own. Scripted by Italian genre regular Ernesto Gastaldi (who worked with many masters of giallo film, including Mario Bava, and Sergio Martino), the overtly familiar narrative does little to hamper the enjoyable performances of Van Cleef and Giuliano Gemma, replete with several memorable action sequences and set pieces that assist in elevating the title to its deserved reputation.
- Nicholas Bell
No one likes making a list more than Quentin Tarantino. The beloved filmmaker annually updates his fans with his favorite movies of the past 12 months, while he also enjoys amassing lists of his most cherished films from throughout history as well. In fact, the Pulp Fiction, Reservoir Dogs, and Kill Bill director has even gone as far as to list his favorites of the Spaghetti Western genre - and you probably won.t be surprised about what came out on top. Tarantino revealed his list to Spaghetti-Western.net, and you can have a gander at his choices below: 1. The Good, The Bad And The Ugly (Sergio Leone, 1966) 2. For A Few Dollars More (Sergio Leone, 1965) 3. Django (Sergio Corbucci, 1966) 4. The Mercenary (Sergio Corbucci, 1968) 5. Once Upon A Time In The West (Sergio Leone, 1968) 6. A Fistful Of Dollars (Sergio Leone, 1964) 7. Day Of Anger (Tonino Valerii, 1967) 8. Death Rides A Horse (Giulio Petroni, 1967) 9. Navajo Joe (Sergio »
When I first heard about this list this morning I could have sworn it was old news, but as it turns out, this list of Quentin Tarantino's top 20 spaghetti westerns is a new thing as presented to us bt Spaghetti-Western.net. What I must have been thinking of was a list of spaghetti westerns that influenced Tarantino's Django Unchained, some of which are repeated here such as Sergio Corbucci's The Great Silence (read an essay I wrote on this one here) and the obvious, Django, and Giulio Petroni's Death Rides a Horse. However, this list is more than that and more than just Sergio Leone and Corbucci titles, though those two do make up eight of the twenty films on Tarantino's list. I haven't looked to see how many of the more obscure titles listed here are available on Netflix, but I have a feeling now that »
- Brad Brevet
Currently filming in rocky Colorado, Tarantino's 70mm western "The Hateful Eight" is headed for a Fall release from The Weinstein Company. Ahead of that, you can catch up on the movie-geek auteur's top 20 Italian-produced spaghetti westerns. (Hat tip: Open Culture.) Read More: Production Begins on Quentin Tarantino's "Hateful Eight" The list runs the gamut from under-seen obscurities to more obvious favorites, including the original "Django" series starring Franco Nero in the eponymous role. In 2007, Tarantino hosted a massive retrospective of spaghetti westerns at the Venice Film Festival and continues to program his favorites at his New Beverly in Los Angeles. His idol, Sergio Leone, makes more than one appearance throughout the countdown below. What did he leave off? Read More: 12 Must-See Modern Westerns 1. "The Good, the Bad, and the Ugly" (Sergio Leone, 1966) 2. "For a Few Dollars More" (Sergio Leone, »
- Ryan Lattanzio
10 items from 2015
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