8 items from 2013
10 May 2013 4:06 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
Dispute over who played guitar on composer's soundtracks for Sergio Leone's spaghetti westerns to go to court in Rome
Rarely have a few notes on a reverb-drenched guitar defined an entire film genre, but half a century on, the twangy riffs of Ennio Morricone's soundtracks are for many the perfect expression of Sergio Leone's spaghetti westerns.
Which is why an Italian woman is suing for the €800,000 she says is due to her father, who she claims played those notes for Morricone but never received full credit.
Maria Rucher says her father, Pino Rucher, who died 17 years ago, played solos on the soundtracks of all three of Leone's seminal westerns starring Clint Eastwood – A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly – which were made by the Italian director between 1964 and 1966. She first approached three other Italian guitarists to challenge »
- Tom Kington
15 April 2013 4:00 AM, PDT | Obsessed with Film | See recent Obsessed with Film news »
We all know of films that were total rip-offs from start to finish, but what about when filmmakers get a little more creative and try to hide their plagiarism a little more cleverly? These films, though widely regarded as cinematic classics, are less-known for their blatant pilfering from other works. Though some of the filmmakers have admitted their “influence”, what’s clear in each instance is that the character (and often more than that) has been shamelessly ripped off, while the majority of the film-going audience are none the wiser.
Granted, in most instances the stolen character was put to far better use in the latter project, but it’s still a pretty cheeky way to operate.
Here are 10 movie characters that were blatant rip-offs…
10. The Man With No Name (The Dollars Trilogy)
The Man with No Name is the unforgettably enigmatic protagonist of Sergio Leone’s superb Dollars Trilogy, »
- Shaun Munro
13 March 2013 8:09 AM, PDT | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »
In a class by itself, Sergio Leone’s Once Upon A Time In The West (1968) was an emotional, operatic Western that fully deserves to be called a masterpiece and it’s my favorite movie. It’s a grand overview of the themes and ideas that inspired the Italian filmmaker to write and direct films in the distinctly American genre. It stars Henry Fonda, Jason Robards, Claudia Cardinale, and my favorite actor, Charles Bronson as the laconic, vengeance-seeking gunslinger. After the worldwide mega-success of his “Man With No Name” trilogy A Fistful Of Dollars, For A Few Dollars More, and The Good The Bad And The Ugly, Leone could have cast anyone he wanted in the role of ‘Harmonica’, the hero of Once Upon A Time In The West. Charles Bronson had been Leone’s second choice (after Henry Fonda) four years earlier for the lead in A Fistful Of Dollars »
- Tom Stockman
24 January 2013 9:05 AM, PST | SoundOnSight | See recent SoundOnSight news »
A lone warrior comes across a town held hostage by two competing gang leaders. He meets the keeper of a local inn who explains the situation and warns him to leave as soon as he can. Our rogue, a man with no name, decides instead to play the two sides against each other and make a quick buck. This description applies to two films released in the early sixties, the latter directly influenced (some would say stolen) by the former.
Written by: Ryozu Kikushima and Akira Kurosawa
Directed by: Akira Kurosawa
Japan, 1961
Written by Victor Andrés Catena, Jamie Comas Gil, Sergio Leone
Directed by: Sergio Leone
Italy 1964
Aside from the similarities of plot between these two films, the productions themselves bear a similarity with an iconic actor/director team. Sergio Leone/Clint Eastwood and Akira Kurosawa/Toshiro Mifune are names that are inescapably linked in the history of film. »
- Jonathan Marsellus
24 January 2013 1:09 AM, PST | SoundOnSight | See recent SoundOnSight news »
A lone warrior, a rogue, comes across a town held hostage by two competing gang leaders. He meets the keeper of a local inn who explains the situation and warns him to leave as soon as he can. Our rogue, a man with no name decides instead to play the two sides against each other to make a quick buck. This description applies to two films released in the early sixties, the latter directly influenced (some would say stolen) by the former.
Written by: Ryozu Kikushima and Akira Kurosawa
Directed by: Akira Kurosawa
Japan, 1961
Written by Victor Andrés Catena, Jamie Comas Gil, Sergio Leone
Directed by: Sergio Leone
Italy 1964
Aside from the similarities of plot between these two films, the productions themselves bear a similarity with an iconic actor/director team. Sergio Leone/Clint Eastwood and Akira Kurosawa/Toshiro Mifune are names that are inescapably »
- Jonathan Marsellus
21 January 2013 12:45 AM, PST | Shadowlocked | See recent Shadowlocked news »
Keeping up with his career plan of paying homage to every film genre going, Quentin Tarantino has moved onto the spaghetti western with Django Unchained (2012). It’s not a remake of the pasta classic Django (1966), or indeed a spaghetti western, but it has clearly taken its inspiration from those violent Italian productions that swamped the late sixties.
Hollywood may have dominated the field since the beginning of motion pictures but European westerns are not exactly new; the earliest known one was filmed in 1910. Sixties German cinema made good use of Kay May’s western heroes Shatterhand and Winnetou, and the British produced The Savage Guns (1961), Hannie Caulder (1971), A Town Called Bastard (1971), Catlow (1971), Chato’s Land (1972) and Eagle’s Wing (1979). When the genre showed signs of flagging in the mid-sixties, a clever Italian director named Sergio Leone took it upon himself to reinvent the western – spaghetti style!
What made the spaghettis »
17 January 2013 3:12 AM, PST | Den of Geek | See recent Den of Geek news »
Feature Paul Martinovic Jan 18, 2013
With Django Unchained out now in the UK, Paul looks back at Sergio Leone's classic Dollars trilogy that helped inspire it...
Howard Hawks, one of the most successful Western directors of all time and a key influence on Sergio Leone, once said a great movie can be defined as one with "three great scenes, and no bad ones." There can be few directors who understood the power of great scenes quite as strongly as Leone, the director of the Dollars trilogy and de facto godfather of the spaghetti western.
Some might argue his emphasis on great individual moments was to his detriment, as the MacGuffin-laden plots of his films seem to exist mainly as devices on which he can hang his elaborate setpieces, and were subsequently labeled as exercises in pure style. While the artistic and intellectual merits of the three films are up for debate, »
- ryanlambie
2 January 2013 5:57 PM, PST | SoundOnSight | See recent SoundOnSight news »
December was Tarantino Month here at Sos, and since January is dedicated to westerns, I thought it would be best to whip up some articles spotlighting films that influenced Tarantino’s Django Unchained. Since I began my list back in December, I’ve noticed similar lists popping up online – all of which are somewhat suspect, since they recommend some terrible films. For my money, all of the movies listed below are essential viewing for fans of Django Unchained, and come highly recommended.
Note: This is the third of a three part article.
****
I Giorni dell’ira (Blood and Grit) (Day of Anger) (Gunlaw) (Days of Wrath)
Directed by Tonino Valerii
Written by Ernesto Gastaldi, Tonino Valerii, Renzo Genta
Italy, 1967
Day of Anger is a spaghetti western directed by Tonino Valerii, who began his career as Sergio Leone’s assistant and would later direct My Name Is Nobody (1973). Lee Van Cleef stars as Frank Talby, »
- Ricky
8 items from 2013
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