| Photos (See all 58 | slideshow) |
| Clint Eastwood | ... | Monco | |
| Lee Van Cleef | ... | Col. Douglas Mortimer | |
| Gian Maria Volonté | ... | El Indio (The Indian) (as Gian Maria Volontè) | |
| Mario Brega | ... | Nino, Member of Indio's Gang | |
| Luigi Pistilli | ... | Groggy, Member of Indio's Gang | |
| Aldo Sambrell | ... | Cuchillio | |
| Klaus Kinski | ... | Juan Wild - The Hunchback | |
| Benito Stefanelli | ... | Luke 'Hughie' | |
| Luis Rodríguez | ... | Manuel, Member of Indio's Gang (as Luis Rodriguez) | |
| Panos Papadopulos | ... | Sancho Perez, Member of Indio's Gang (as Panos Papadopoulos) | |
| Mara Krupp | ... | Mary - Hotel Manager's Beautiful Wife (as Mara Krup) | |
| Roberto Camardiel | ... | Tucumcari station clerk (as Robert Camardiel) | |
| Joseph Egger | ... | Old Prophet (as Josef Egger) | |
| Tomás Blanco | ... | Tucumcari sheriff (as Tomas Blanco) | |
| Lorenzo Robledo | ... | Tomaso, Indio's Traitor | |
| Sergio Mendizábal | ... | Tucumcari bank manager (as Sergio Mendizabal) | |
| Dante Maggio | ... | Carpenter in cell with El Indio | |
| Diana Rabito | ... | Calloway's beautiful girl in tub | |
| Giovanni Tarallo | ... | Santa Cruz telegraphist | |
| Mario Meniconi | ... | Train Conductor | |
| rest of cast listed alphabetically: | |||
| Werner Abrolat | ... | Slim, Member of Indio's Gang (uncredited) | |
| Román Ariznavarreta | ... | Half-Shaved Bounty Hunter (uncredited) | |
| Frank Braña | ... | Blackie, Member of Indio's Gang (uncredited) | |
| José Canalejas | ... | Chico, Member of Indio's Gang (uncredited) | |
| Rosemary Dexter | ... | Mortimer's Sister (uncredited) | |
| Diana Faenza | ... | Tomaso's Wife (uncredited) | |
| Eduardo García | ... | Member of Indio's Gang (uncredited) | |
| Maurizio Graf | ... | The Balladeer (voice) (uncredited) | |
| Jesús Guzmán | ... | Carpetbagger on Train (uncredited) | |
| Peter Lee Lawrence | ... | Mortimer's Brother-in-Law (uncredited) | |
| Francesca Leone | ... | Tomaso's Baby (uncredited) | |
| Sergio Leone | ... | Whistling Bounty Hunter (voice) (uncredited) | |
| Rafael López | ... | (uncredited) | |
| José Marco | ... | 'Baby' Red Cavanaugh (uncredited) | |
| Antonio Molino Rojo | ... | Frisco, Member of Indio's Gang (uncredited) | |
| José Félix Montoya | ... | (uncredited) | |
| Guillermo Méndez | ... | White Rocks Sheriff (uncredited) | |
| Nazzareno Natale | ... | Paco - Member of Indio's Gang (uncredited) | |
| Enrique Navarro | ... | Sherrif of Tucumcari (uncredited) | |
| Ricardo Palacios | ... | Tucumcari Saloon Keeper (uncredited) | |
| Aldo Ricci | ... | (uncredited) | |
| Antoñito Ruiz | ... | Fernando (uncredited) | |
| Enrique Santiago | ... | Miguel, Member of Indio's Gang (uncredited) | |
| Carlo Simi | ... | El Paso Bank Manager (uncredited) | |
| José Terrón | ... | Guy Calloway, Mortimer's 1st Criminal (uncredited) | |
| Kurt Zips | ... | Hotel Manager (uncredited) | |
Directed by | |||
| Sergio Leone | |||
Writing credits | ||
| Sergio Leone | (scenario) and | |
| Fulvio Morsella | (scenario) | |
| Luciano Vincenzoni | (screenplay) and | |
| Sergio Leone | (screenplay) | |
| Luciano Vincenzoni | (dialogue: English version) | |
| Fernando Di Leo | uncredited & | |
| Sergio Donati | uncredited | |
Produced by | |||
| Arturo González | .... | producer (as Arturo Gonzalez) | |
| Alfredo Fraile | .... | executive producer: Spain (uncredited) | |
| Alberto Grimaldi | .... | producer (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Massimo Dallamano | (director of photography) | ||
Film Editing by | |||
| Eugenio Alabiso | |||
| Giorgio Serrallonga | (as Giorgio Serralonga) | ||
Set Decoration by | |||
| Ángel Cabero | (setting) (uncredited) | ||
| Montoro | (setting) (uncredited) | ||
Makeup Department | |||
| Amedeo Alessi | .... | makeup artist | |
| Rino Carboni | .... | head makeup artist | |
| Juan Farsac | .... | makeup artist (uncredited) | |
| Isabel Mellado | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Manuel Castedo | .... | production supervisor | |
| Ottavio Oppo | .... | production manager | |
| Norberto Soliño | .... | production supervisor (as Norberto Solino) | |
| Fernando Rossi | .... | production supervisor (uncredited) | |
| José Sánchez | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tonino Valerii | .... | assistant director | |
| Fernando Di Leo | .... | assistant director (uncredited) | |
| Julio Ortas | .... | second unit director (uncredited) | |
| Julio Sempere | .... | assistant director (uncredited) | |
Art Department | |||
| Rafael Ferri | .... | assistant art decorator (as Raphael Ferri Jorda) | |
| Carlo Leva | .... | assistant art director | |
| Carlo Simi | .... | sets | |
Sound Department | |||
| Oscar De Arcangelis | .... | sound | |
| Guido Ortenzi | .... | sound | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects (as Corridori Giovanni) | |
| Eros Bacciucchi | .... | special effects (uncredited) | |
| Manuel Baquero | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ludovico Bettarello | .... | digital online film restoration: Technicolor Rome (uncredited) | |
Stunts | |||
| Luis Beltran | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Benito Stefanelli | .... | stunt director (uncredited) | |
| Benito Stefanelli | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Mario Lommi | .... | assistant cameraman | |
| Eduardo Noé | .... | cameraman (as Eduardo Noe) | |
| Aldo Ricci | .... | cameraman | |
| Isidro Muro | .... | first assistant camera (uncredited) | |
| Julio Ortas | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Luis Beltran | .... | local casting (uncredited) | |
Costume and Wardrobe Department | |||
| Carlo Simi | .... | costumes | |
Editorial Department | |||
| Adriana Novelli | .... | supervising editor | |
| Andrea Gargano | .... | final colorist (uncredited) | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
| Alessandro Alessandroni | .... | musician: whistling and guitar (uncredited) | |
| Bruno Battisti D'Amario | .... | musician: guitar (uncredited) | |
| Nino Culasso | .... | musician: trumpet (uncredited) | |
| Maurizio Graf | .... | singer (uncredited) | |
| Ennio Morricone | .... | conductor (uncredited) | |
Other crew | |||
| Mariano Canales | .... | script supervisor | |
| Fernando Di Leo | .... | assistant: Mr. Leone | |
| Arturo González | .... | presenter | |
| Alberto Grimaldi | .... | presenter | |
| Sergio Leone | .... | copyright holder | |
| Antonio Palombi | .... | production secretary | |
| Maria Luisa Rosen | .... | continuity | |
| Emilio Cigoli | .... | voice dubbing: Lee Van Cleef (uncredited) | |
| Dhia Cristiani | .... | voice dubbing: Mara Krupp (uncredited) | |
| Lauro Gazzolo | .... | voice dubbing: Josef Egger (uncredited) | |
| Nando Gazzolo | .... | voice dubbing: Gian Maria Volontè (uncredited) | |
| Pino Locchi | .... | voice dubbing: Benito Stefanelli (uncredited) | |
| Bruno Persa | .... | voice dubbing: Klaus Kinski (uncredited) | |
| Enrico Maria Salerno | .... | voice dubbing: Clint Eastwood (uncredited) | |
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| The Good, the Bad and the Ugly | Death Rides a Horse | Pale Rider | A Fistful of Dollars | High Plains Drifter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Western section |
| IMDb Italy section |
As the second of the three films legendary filmmaker Sergio Leone collaborated on with Clint Eastwood (not to mention his first with Lee Van Cleef and his second with 'Fistful' actor Gian Maria Volonte), For a Few Dollars More gets well earned respect from the fans of the director and the groundbreaking star. And yet, occasionally there are those who'll not even know this film from Leone and Clint exists since it does sometimes get under the shadow of their two most infamous works, Fistful of Dollars (which for the most part introduced Clint and Leone to the public's awareness) and The Good, the Bad and the Ugly (which solidified Clint as a Western icon and gave Leone a similar status for film buffs). But taken as a film unto itself, aside from its place in the trilogy, this is a Western that simply delivers the goods, and it does so with a spectacular marriage of style and substance.
The story begins by introducing our two (anti) heroes, bounty hunters Douglas Mortimer (Cleef), former Colonel, and Monco (Eastwood), a drifter. They both set their sights on the leader of a gang of bandits named Indio (Volonte), who is plotting to go after over a million locked in a bank in El Paso. At first, Monco and Mortimer seem like their after Indio for the same reason- reward money- though there seems to be more than each man counted on with him and his gang.
From the opening scenes with Cleef and Eastwood, to the scenes in El Paso, and then into the set pieces in the stone ruins in the Mexico desert(s), For a Few Dollars More displays the utmost skill by Leone in his storytelling, as well as in his use of the camera. Using Fistful's camera-man Massimo Dallamano, Leone does what he does best in his spaghetti westerns- he creates a perfectly in sync mood with his characters: each look in a scene, whether it's intense waiting for guns to be drawn, or just regular conversation, the look of the film draws the viewer in without over-doing it. Some points are made bold or repetitious (like Ennio Morricone's score, that keeps its whistling theme and serene watch theme completely in check), though it's not done to any degree of annoyance or by accident.
In fact, that's what makes his westerns such fun, is that you take them seriously as films, yet he always reminds you that it's all in the 'movie-world' just by the way Mortimer or Monco strikes up a match. As for the actors themselves, Eastwood and Cleef are total pros in this genre, so ever line of dialog comes out naturally, and the supporting actors (however dubbed over from original Italian) all contribute great notes as well. At the least, it can appeal to a new generation of kids looking back to older movies, which may look at this and consider it more modernly crafted than a John Ford oldie. A+