| Photos (See all 58 | slideshow) |
| Clint Eastwood | ... | Monco | |
| Lee Van Cleef | ... | Col. Douglas Mortimer | |
| Gian Maria Volonté | ... | El Indio (The Indian) (as Gian Maria Volontè) | |
| Mario Brega | ... | Nino, Member of Indio's Gang | |
| Luigi Pistilli | ... | Groggy, Member of Indio's Gang | |
| Aldo Sambrell | ... | Cuchillio | |
| Klaus Kinski | ... | Juan Wild - The Hunchback | |
| Benito Stefanelli | ... | Luke 'Hughie' | |
| Luis Rodríguez | ... | Manuel, Member of Indio's Gang (as Luis Rodriguez) | |
| Panos Papadopulos | ... | Sancho Perez, Member of Indio's Gang (as Panos Papadopoulos) | |
| Mara Krupp | ... | Mary - Hotel Manager's Beautiful Wife (as Mara Krup) | |
| Roberto Camardiel | ... | Tucumcari station clerk (as Robert Camardiel) | |
| Joseph Egger | ... | Old Prophet (as Josef Egger) | |
| Tomás Blanco | ... | Tucumcari sheriff (as Tomas Blanco) | |
| Lorenzo Robledo | ... | Tomaso, Indio's Traitor | |
| Sergio Mendizábal | ... | Tucumcari bank manager (as Sergio Mendizabal) | |
| Dante Maggio | ... | Carpenter in cell with El Indio | |
| Diana Rabito | ... | Calloway's beautiful girl in tub | |
| Giovanni Tarallo | ... | Santa Cruz telegraphist | |
| Mario Meniconi | ... | Train Conductor | |
| rest of cast listed alphabetically: | |||
| Werner Abrolat | ... | Slim, Member of Indio's Gang (uncredited) | |
| Román Ariznavarreta | ... | Half-Shaved Bounty Hunter (uncredited) | |
| Frank Braña | ... | Blackie, Member of Indio's Gang (uncredited) | |
| José Canalejas | ... | Chico, Member of Indio's Gang (uncredited) | |
| Rosemary Dexter | ... | Mortimer's Sister (uncredited) | |
| Diana Faenza | ... | Tomaso's Wife (uncredited) | |
| Eduardo García | ... | Member of Indio's Gang (uncredited) | |
| Maurizio Graf | ... | The Balladeer (voice) (uncredited) | |
| Jesús Guzmán | ... | Carpetbagger on Train (uncredited) | |
| Peter Lee Lawrence | ... | Mortimer's Brother-in-Law (uncredited) | |
| Francesca Leone | ... | Tomaso's Baby (uncredited) | |
| Sergio Leone | ... | Whistling Bounty Hunter (voice) (uncredited) | |
| Rafael López | ... | (uncredited) | |
| José Marco | ... | 'Baby' Red Cavanaugh (uncredited) | |
| Antonio Molino Rojo | ... | Frisco, Member of Indio's Gang (uncredited) | |
| José Félix Montoya | ... | (uncredited) | |
| Guillermo Méndez | ... | White Rocks Sheriff (uncredited) | |
| Nazzareno Natale | ... | Paco - Member of Indio's Gang (uncredited) | |
| Enrique Navarro | ... | Sherrif of Tucumcari (uncredited) | |
| Ricardo Palacios | ... | Tucumcari Saloon Keeper (uncredited) | |
| Aldo Ricci | ... | (uncredited) | |
| Antoñito Ruiz | ... | Fernando (uncredited) | |
| Enrique Santiago | ... | Miguel, Member of Indio's Gang (uncredited) | |
| Carlo Simi | ... | El Paso Bank Manager (uncredited) | |
| José Terrón | ... | Guy Calloway, Mortimer's 1st Criminal (uncredited) | |
| Kurt Zips | ... | Hotel Manager (uncredited) | |
Directed by | |||
| Sergio Leone | |||
Writing credits | ||
| Sergio Leone | (scenario) and | |
| Fulvio Morsella | (scenario) | |
| Luciano Vincenzoni | (screenplay) and | |
| Sergio Leone | (screenplay) | |
| Luciano Vincenzoni | (dialogue: English version) | |
| Fernando Di Leo | uncredited & | |
| Sergio Donati | uncredited | |
Produced by | |||
| Arturo González | .... | producer (as Arturo Gonzalez) | |
| Alfredo Fraile | .... | executive producer: Spain (uncredited) | |
| Alberto Grimaldi | .... | producer (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Massimo Dallamano | (director of photography) | ||
Film Editing by | |||
| Eugenio Alabiso | |||
| Giorgio Serrallonga | (as Giorgio Serralonga) | ||
Set Decoration by | |||
| Ángel Cabero | (setting) (uncredited) | ||
| Montoro | (setting) (uncredited) | ||
Makeup Department | |||
| Amedeo Alessi | .... | makeup artist | |
| Rino Carboni | .... | head makeup artist | |
| Juan Farsac | .... | makeup artist (uncredited) | |
| Isabel Mellado | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Manuel Castedo | .... | production supervisor | |
| Ottavio Oppo | .... | production manager | |
| Norberto Soliño | .... | production supervisor (as Norberto Solino) | |
| Fernando Rossi | .... | production supervisor (uncredited) | |
| José Sánchez | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tonino Valerii | .... | assistant director | |
| Fernando Di Leo | .... | assistant director (uncredited) | |
| Julio Ortas | .... | second unit director (uncredited) | |
| Julio Sempere | .... | assistant director (uncredited) | |
Art Department | |||
| Rafael Ferri | .... | assistant art decorator (as Raphael Ferri Jorda) | |
| Carlo Leva | .... | assistant art director | |
| Carlo Simi | .... | sets | |
Sound Department | |||
| Oscar De Arcangelis | .... | sound | |
| Guido Ortenzi | .... | sound | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects (as Corridori Giovanni) | |
| Eros Bacciucchi | .... | special effects (uncredited) | |
| Manuel Baquero | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ludovico Bettarello | .... | digital online film restoration: Technicolor Rome (uncredited) | |
Stunts | |||
| Luis Beltran | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Benito Stefanelli | .... | stunt director (uncredited) | |
| Benito Stefanelli | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Mario Lommi | .... | assistant cameraman | |
| Eduardo Noé | .... | cameraman (as Eduardo Noe) | |
| Aldo Ricci | .... | cameraman | |
| Isidro Muro | .... | first assistant camera (uncredited) | |
| Julio Ortas | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Luis Beltran | .... | local casting (uncredited) | |
Costume and Wardrobe Department | |||
| Carlo Simi | .... | costumes | |
Editorial Department | |||
| Adriana Novelli | .... | supervising editor | |
| Andrea Gargano | .... | final colorist (uncredited) | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
| Alessandro Alessandroni | .... | musician: whistling and guitar (uncredited) | |
| Bruno Battisti D'Amario | .... | musician: guitar (uncredited) | |
| Nino Culasso | .... | musician: trumpet (uncredited) | |
| Maurizio Graf | .... | singer (uncredited) | |
| Ennio Morricone | .... | conductor (uncredited) | |
Other crew | |||
| Mariano Canales | .... | script supervisor | |
| Fernando Di Leo | .... | assistant: Mr. Leone | |
| Arturo González | .... | presenter | |
| Alberto Grimaldi | .... | presenter | |
| Sergio Leone | .... | copyright holder | |
| Antonio Palombi | .... | production secretary | |
| Maria Luisa Rosen | .... | continuity | |
| Emilio Cigoli | .... | voice dubbing: Lee Van Cleef (uncredited) | |
| Dhia Cristiani | .... | voice dubbing: Mara Krupp (uncredited) | |
| Lauro Gazzolo | .... | voice dubbing: Josef Egger (uncredited) | |
| Nando Gazzolo | .... | voice dubbing: Gian Maria Volontè (uncredited) | |
| Pino Locchi | .... | voice dubbing: Benito Stefanelli (uncredited) | |
| Bruno Persa | .... | voice dubbing: Klaus Kinski (uncredited) | |
| Enrico Maria Salerno | .... | voice dubbing: Clint Eastwood (uncredited) | |
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| The Good, the Bad and the Ugly | Death Rides a Horse | Pale Rider | A Fistful of Dollars | High Plains Drifter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Western section |
| IMDb Italy section |
"For a Few Dollars More" is the middle film of Sergio Leone's classic western trilogy starring a then upstart Clint Eastwood. Sandwiched between "A Fistful of Dollars" and the finale, "The Good, the Bad, & the Ugly." This film provides further insight into Eastwood's "Man with No Name."
Eastwood is a bounty killer who is in search of the feared bandit known as El Indio. Colonel Douglas Mortimer (played by Lee Van Cleef) is in a similar position, and the two cross paths many times in their pursuits of El Indio. The premise has similarities to that of the first, and in fact won't be all that surprising to most younger viewers. But at the time, the various plot turns and twists were unique and revolutionary.
The pace is both a pro and con at the same time. Unlike modern films, the usual western showdown scenes unfold very deliberately. Rather than simultaneously begin and end in a furious volley of bullets, the encounters are set up slowly. On the bright side, this gives both the characters and the viewers an opportunity to fully appreciate the choices made and the consequences that will follow. From a negative perspective (not mine), one might say that the gunfights are plain slow, and the action is too sparse. While I enjoyed the change of pace, I also understand why some will say otherwise. Others portions of "More" can hang with any western sequences ever put on film. Highlighting the action is a robbery scene, the creativity of which ranks with any modern heist out of "The Score" or "The Italian Job."
This trilogy catapulted Clint Eastwood to Hollywood fame, and one can see his star-making charisma ooze through the screen. Blending stoicism and machismo wonderfully, Eastwood produces the epitome of the tough and arrogant loner cowboy. In a role that could easily have been overshadowed, Van Cleef holds his own against Eastwood. His character was probably similar to Eastwood's in his youth, but Van Cleef accurately reflects the wisdom that would likely come with his character's age. The motley crew of baddies is filled with men who completely look their parts. That's about all that is asked of them, and they deliver.
The cinematography of "More" follows in the groundbreaking footsteps of "Fistful." While one might not notice anything revolutionary now, at the time shots like that had scarcely been seen. Shots like the low-angles utilized prior to a few shootouts, as well as the framing of space are all now staples of cinematic westerns, and they originated here.
Ennio Morricone's score is also a classic. Whether serving as epic background music for sweeping crane shots or providing aural cues during action sequences, the music is always appropriate and often the best part of the film.
Bottom Line: While it might not seem as great now, so much of this movie was groundbreaking and remains classic that it merits 8 of 10.