Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unaware... See full summary »
Gian Maria Volonté,
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
Two bounty hunters are after the same man, Indio. At first, they go their own ways, but eventually get together to try and find him. But are they after him for the same reason ? Written by
Colin Tinto <email@example.com>
The town of El Paso, designed by Carlo Simi in Almeria, was the biggest set that Sergio Leone was responsible for at the time. It would be re-used the following year for several scenes in The Good, the Bad and the Ugly (1966) in which it stood in as several different towns. It's still standing to this day and is called Mini Hollywood. See more »
All the passenger cars on the train have only four wheels. Four-wheeled passenger cars had fallen out of favor in the United States by the 1840s. See more »
The Best of "The Dollars Trilogy" and quite possibly Leone's finest film.
"For a Few Dollars More" has become the template for which most Spaghetti Westerns derive.
As Leone went along, his films got more daring and complex, exploring new ideas and raising not only the bar for Spaghetti Westerns (which, contrary to popular belief, were around before "A Fistful of Dollars") but for Westerns in general. However, this exploration at times affected the quality of his films. Leone was a popcorn director - a visual stylist who always entertained first and maybe provoked a thought or two second. However, his films were never think pieces so when he tried to integrate depth into his films the results became uneven.
"For a Few Dollars More" is his best film because it catches Leone in his most transitional period. At once the film is more complex and stylized than "A Fistful..." and more tight and efficient than "The Good, the Bad and The Ugly" (which is almost on par with "For a Few..."). The revenge sub-plot involving Colonel Mortimer is more compelling than the similar one in Leone's "Once Upon a Time in the West" because Mortimer is more developed as a character than the Harmonica Player (which is not to insult the great Charles Bronson).
And hell, it has Lee Van Cleef as one of the biggest bad-asses of all time. The mere presence of Colonel Douglas Mortimer elevates the film to a new level. He steals the film from "Manco" completely. And Van Cleef's theft of the film is what makes it a cut above "A Fistful...". As a character, "The Man With No Name" (who in actuality has three: Joe, Manco and Blondie) isn't very interesting and there always needs to be a counterpoint to play off of him. That's why "A Fistful..." isn't nearly as good as this film or "The Good..." (which had the great Eli Wallach in one of the best scenery munching performances ever).
So in closing, "For a Few..." is a tight masterpiece of fluff Western entertainment. It's mean, violent and immoral, just the way any good Spaghetti Western should be.
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