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For a Few Dollars More (1965)
"Per qualche dollaro in più" (original title)

Approved  |   |  Western  |  10 May 1967 (USA)
8.3
Your rating:
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Ratings: 8.3/10 from 137,422 users  
Reviews: 212 user | 111 critic

Two bounty hunters with the same intentions team up to track down a Western outlaw.

Director:

Writers:

(scenario), (scenario), 5 more credits »
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Cast

Cast overview, first billed only:
...
...
...
El Indio (The Indian) (as Gian Maria Volontè)
...
...
...
Cuchillio
...
Benito Stefanelli ...
Luke 'Hughie'
Luis Rodríguez ...
Manuel, Member of Indio's Gang (as Luis Rodriguez)
Panos Papadopulos ...
Sancho Perez, Member of Indio's Gang (as Panos Papadopoulos)
Mara Krupp ...
Mary - Hotel Manager's Beautiful Wife (as Mara Krup)
Roberto Camardiel ...
Tucumcari station clerk (as Robert Camardiel)
Joseph Egger ...
Old Prophet (as Josef Egger)
Tomás Blanco ...
Tucumcari sheriff (as Tomas Blanco)
Lorenzo Robledo ...
Tomaso, Indio's Traitor
Edit

Storyline

Monco is a bounty killer chasing El Indio and his gang. During his hunting, he meets Col. Douglas Mortimer, another bounty killer, and they decide to make a partnership, chase the bad guys together and split the reward. During their enterprise, there will be lots of bullets and funny situations. In the end, one of the bounty hunters shows the real intention of his hunting. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Clint Eastwood is back, and he's burning at both ends - if you can take it. See more »

Genres:

Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

| |

Language:

|

Release Date:

10 May 1967 (USA)  »

Also Known As:

For a Few Dollars More  »

Box Office

Budget:

$750,000 (estimated)

Gross:

ESP 274,756,312 (Spain)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

"Monco" is officially not the same character as "Joe" in A Fistful of Dollars (1964). This was the finding of an Italian court that adjudicated the lawsuit brought by Jolly Films, producer of "A Fistful of Dollars". After the release of the first film, director Sergio Leone had a falling out with the producers and made this sequel with a different producer, Alberto Grimaldi. Jolly Films sued, claiming ownership of the "Joe" character, but lost when the court decided that the western gunfighter's persona, characterized by the costume and mannerisms, belonged to the public domain's folklore. See more »

Goofs

Mortimer smokes a meerschaum pipe throughout the movie, which is historically accurate; however, the pipe stem is obviously Lucite, a late 20th century plastic. An 1860's pipe stem would be carved of amber, ivory, antler, or bone. See more »

Quotes

[first lines]
Train Conductor: Tickets. Tickets, please. Tickets. Tickets. Thank you. Tickets.
Col. Douglas Mortimer: Is this part of Tucumcari?
Train Conductor: We should pass there in about 3 to 4 minutes.
Col. Douglas Mortimer: Thanks.
Carpetbagger on Train: Well, eh, excuse me, but you made a mistake, Reverend. I couldn't help hearing you're going to Tucumcari. I sell goods around here, and I gotta tell you, you're on the wrong train. I think the nearest stop to Tucumcari is Amarillo. By getting off at Santa Fe and returning by way of Amarillo, you should be able to get right where... you're....
[...]
See more »

Crazy Credits

The title credits disappear as if being shot by a gun. See more »

Connections

Referenced in The Blood Pact: The Making of 'Blade II' (2002) See more »

Soundtracks

The Showdown
(uncredited)
Composed by Ennio Morricone
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A classic in every aspect.
15 October 2003 | by (Topeka, KS) – See all my reviews

"For a Few Dollars More" is the middle film of Sergio Leone's classic western trilogy starring a then upstart Clint Eastwood. Sandwiched between "A Fistful of Dollars" and the finale, "The Good, the Bad, & the Ugly." This film provides further insight into Eastwood's "Man with No Name."

Eastwood is a bounty killer who is in search of the feared bandit known as El Indio. Colonel Douglas Mortimer (played by Lee Van Cleef) is in a similar position, and the two cross paths many times in their pursuits of El Indio. The premise has similarities to that of the first, and in fact won't be all that surprising to most younger viewers. But at the time, the various plot turns and twists were unique and revolutionary.

The pace is both a pro and con at the same time. Unlike modern films, the usual western showdown scenes unfold very deliberately. Rather than simultaneously begin and end in a furious volley of bullets, the encounters are set up slowly. On the bright side, this gives both the characters and the viewers an opportunity to fully appreciate the choices made and the consequences that will follow. From a negative perspective (not mine), one might say that the gunfights are plain slow, and the action is too sparse. While I enjoyed the change of pace, I also understand why some will say otherwise. Others portions of "More" can hang with any western sequences ever put on film. Highlighting the action is a robbery scene, the creativity of which ranks with any modern heist out of "The Score" or "The Italian Job."

This trilogy catapulted Clint Eastwood to Hollywood fame, and one can see his star-making charisma ooze through the screen. Blending stoicism and machismo wonderfully, Eastwood produces the epitome of the tough and arrogant loner cowboy. In a role that could easily have been overshadowed, Van Cleef holds his own against Eastwood. His character was probably similar to Eastwood's in his youth, but Van Cleef accurately reflects the wisdom that would likely come with his character's age. The motley crew of baddies is filled with men who completely look their parts. That's about all that is asked of them, and they deliver.

The cinematography of "More" follows in the groundbreaking footsteps of "Fistful." While one might not notice anything revolutionary now, at the time shots like that had scarcely been seen. Shots like the low-angles utilized prior to a few shootouts, as well as the framing of space are all now staples of cinematic westerns, and they originated here.

Ennio Morricone's score is also a classic. Whether serving as epic background music for sweeping crane shots or providing aural cues during action sequences, the music is always appropriate and often the best part of the film.

Bottom Line: While it might not seem as great now, so much of this movie was groundbreaking and remains classic that it merits 8 of 10.


51 of 65 people found this review helpful.  Was this review helpful to you?

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