Monco is a bounty killer chasing El Indio and his gang. During his hunting, he meets Col. Douglas Mortimer, another bounty killer, and they decide to make a partnership, chase the bad guys together and split the reward. During their enterprise, there will be lots of bullets and funny situations. In the end, one of the bounty hunters shows the real intention of his hunting. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director Sergio Leone did not want to make a sequel to A Fistful of Dollars (1964), but it was such a huge hit that Jolly Film--the production company--refused to pay Leone what it owed him from that film unless he made a sequel to it. See more »
During the opening credits, the rider goes down just as the rifle is fired. See more »
Tickets. Tickets, please. Tickets. Tickets. Thank you. Tickets.
Col. Douglas Mortimer:
Is this part of Tucumcari?
We should pass there in about 3 to 4 minutes.
Col. Douglas Mortimer:
Carpetbagger on Train:
Well, eh, excuse me, but you made a mistake, Reverend. I couldn't help hearing you're going to Tucumcari. I sell goods around here, and I gotta tell you, you're on the wrong train. I think the nearest stop to Tucumcari is Amarillo. By getting off at Santa Fe and returning by way of Amarillo, you should be able to get right where... you're....
[...] See more »
The title credits disappear as if being shot by a gun. See more »
The Best of "The Dollars Trilogy" and quite possibly Leone's finest film.
"For a Few Dollars More" has become the template for which most Spaghetti Westerns derive.
As Leone went along, his films got more daring and complex, exploring new ideas and raising not only the bar for Spaghetti Westerns (which, contrary to popular belief, were around before "A Fistful of Dollars") but for Westerns in general. However, this exploration at times affected the quality of his films. Leone was a popcorn director - a visual stylist who always entertained first and maybe provoked a thought or two second. However, his films were never think pieces so when he tried to integrate depth into his films the results became uneven.
"For a Few Dollars More" is his best film because it catches Leone in his most transitional period. At once the film is more complex and stylized than "A Fistful..." and more tight and efficient than "The Good, the Bad and The Ugly" (which is almost on par with "For a Few..."). The revenge sub-plot involving Colonel Mortimer is more compelling than the similar one in Leone's "Once Upon a Time in the West" because Mortimer is more developed as a character than the Harmonica Player (which is not to insult the great Charles Bronson).
And hell, it has Lee Van Cleef as one of the biggest bad-asses of all time. The mere presence of Colonel Douglas Mortimer elevates the film to a new level. He steals the film from "Manco" completely. And Van Cleef's theft of the film is what makes it a cut above "A Fistful...". As a character, "The Man With No Name" (who in actuality has three: Joe, Manco and Blondie) isn't very interesting and there always needs to be a counterpoint to play off of him. That's why "A Fistful..." isn't nearly as good as this film or "The Good..." (which had the great Eli Wallach in one of the best scenery munching performances ever).
So in closing, "For a Few..." is a tight masterpiece of fluff Western entertainment. It's mean, violent and immoral, just the way any good Spaghetti Western should be.
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