| Rod Steiger | ... | Sol Nazerman | |
| Geraldine Fitzgerald | ... | Marilyn Birchfield | |
| Brock Peters | ... | Rodriguez | |
| Jaime Sánchez | ... | Jesus Ortiz (as Jaime Sanchez) | |
| Thelma Oliver | ... | Ortiz' Girl | |
| Marketa Kimbrell | ... | Tessie | |
| Baruch Lumet | ... | Mendel | |
| Juano Hernandez | ... | Mr. Smith | |
| Linda Geiser | ... | Ruth | |
| Nancy R. Pollock | ... | Bertha | |
| Raymond St. Jacques | ... | Tangee | |
| John McCurry | ... | Buck | |
| Ed Morehouse | ... | Robinson | |
| Eusebia Cosme | ... | Mrs. Ortiz | |
| Warren Finnerty | ... | Savarese | |
| rest of cast listed alphabetically: | |||
| Jack Ader | ... | Morton (uncredited) | |
| Marc Alexander | ... | Rubin (uncredited) | |
| Robert Dahdah | ... | Jew In Cage (uncredited) | |
| Charles Dierkop | ... | Robinson (uncredited) | |
| Morgan Freeman | ... | Man on Street (uncredited) | |
| Hilda Haynes | ... | Woman (uncredited) | |
| Marianne Kanter | ... | Joan (uncredited) | |
| E.M. Margolese | ... | Papa (uncredited) | |
| Donnie Melvin | ... | Nazerman's Son (uncredited) | |
| Reni Santoni | ... | Junkie selling radio (uncredited) | |
Directed by | |||
| Sidney Lumet | |||
Writing credits | ||
| Morton S. Fine | (screenplay) (as Morton Fine) & | |
| David Friedkin | (screenplay) | |
| Edward Lewis Wallant | (novel) | |
Produced by | |||
| Philip Langner | .... | producer | |
| Roger Lewis | .... | producer | |
| Joseph Manduke | .... | associate producer | |
| Worthington Miner | .... | executive producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Boris Kaufman | |||
Film Editing by | |||
| Ralph Rosenblum | |||
Casting by | |||
| Jessica Levy | |||
Production Design by | |||
| Richard Sylbert | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Ed Callaghan | .... | hair stylist | |
| Bill Herman | .... | makeup artist | |
Production Management | |||
| Ulu Grosbard | .... | unit manager | |
| Mel Howard | .... | assistant production manager | |
| Al Markim | .... | executive in charge of production (as Alfred Markim) | |
Second Unit Director or Assistant Director | |||
| Dan Eriksen | .... | assistant director | |
Art Department | |||
| Albert Brenner | .... | assistant art director (as Al Brenner) | |
| Jack Flaherty | .... | set dresser | |
| Ken Thompson | .... | construction chief | |
| Thomas Wright | .... | chief props (as Tom Wright) | |
Sound Department | |||
| Jack Fitzstephens | .... | sound editor | |
| James A. Gleason | .... | sound mixer (as James Gleason) | |
| Alan Heim | .... | sound editor | |
| Dennis Maitland | .... | sound | |
| James Perdue | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Howard Fortune | .... | chief electrician (as Buddy Fortune) | |
| Edward Knott | .... | chief grip (as Eddie Knott) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
Editorial Department | |||
| Sheila Bakerman | .... | assistant editor | |
Music Department | |||
| Billy Byers | .... | orchestrator (as William Byers) | |
| Quincy Jones | .... | orchestrator | |
| Richard Hazard | .... | orchestrator (uncredited) | |
| Jack Sheldon | .... | musician: trumpet (uncredited) | |
Other crew | |||
| Belle Iacobellis | .... | production secretary | |
| Maggie James | .... | script supervisor | |
| Ely A. Landau | .... | presenter (as Ely Landau) | |
| Dana Steadley | .... | production secretary | |
| Herbert R. Steinmann | .... | presenter | |
| Harold Reidman | .... | location manager (uncredited) | |
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| The Believer | Enemies: A Love Story | I Love You, I Love You Not | The Truce | Fateless |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is in my 50 best movies of all time list.
Rod Steiger,a gifted actor, is at his very best here portraying Sol Nazerman, a pawnbroker who is completely shut down emotionally.
Through flashbacks, some fast, mostly slow, we see both the joy and subsequent horror of Sol's life in Nazi Germany, when his wife and children are swept into the camps and killed. Sol's deepest pain is that he survived and he carries it visibly. Nothing touches him. He is removed from humanity, living a life outside anyone else's.
This is never more exemplified than at his shop, where he is behind bars, often in shadow, while humanity moves outside, sometimes pleading with him, sometimes just wishing to make an emotional contact to no avail.
Brilliant black and white photography. Quincy Jones' music underscores this, it is jazzy 60s type of music, loud and vibrant, totally contrasting with the dark, dead world of Sol.
The supporting cast are terrific and the outdoor location shooting in New York is riveting. The movement of street life against the heaviness of Sol's plodding.
I still find it hard to believe that Rod lost the Oscar to Lee Marvin in the forgettable "Cat Ballou" (!!) that year.
This has to be seen by any serious lovers of movies. The last scene, done in one continuous take is heartbreaking, Sol finally getting in touch with the pain he has buried so deeply. Gut wrenching stuff. 9 out of 10.