| Rod Steiger | ... | Sol Nazerman | |
| Geraldine Fitzgerald | ... | Marilyn Birchfield | |
| Brock Peters | ... | Rodriguez | |
| Jaime Sánchez | ... | Jesus Ortiz (as Jaime Sanchez) | |
| Thelma Oliver | ... | Ortiz' Girl | |
| Marketa Kimbrell | ... | Tessie | |
| Baruch Lumet | ... | Mendel | |
| Juano Hernandez | ... | Mr. Smith | |
| Linda Geiser | ... | Ruth | |
| Nancy R. Pollock | ... | Bertha | |
| Raymond St. Jacques | ... | Tangee | |
| John McCurry | ... | Buck | |
| Ed Morehouse | ... | Robinson | |
| Eusebia Cosme | ... | Mrs. Ortiz | |
| Warren Finnerty | ... | Savarese | |
| rest of cast listed alphabetically: | |||
| Jack Ader | ... | Morton (uncredited) | |
| Marc Alexander | ... | Rubin (uncredited) | |
| Robert Dahdah | ... | Jew In Cage (uncredited) | |
| Charles Dierkop | ... | Robinson (uncredited) | |
| Morgan Freeman | ... | Man on Street (uncredited) | |
| Hilda Haynes | ... | Woman (uncredited) | |
| Marianne Kanter | ... | Joan (uncredited) | |
| E.M. Margolese | ... | Papa (uncredited) | |
| Donnie Melvin | ... | Nazerman's Son (uncredited) | |
| Reni Santoni | ... | Junkie selling radio (uncredited) | |
Directed by | |||
| Sidney Lumet | |||
Writing credits | ||
| Morton S. Fine | (screenplay) (as Morton Fine) & | |
| David Friedkin | (screenplay) | |
| Edward Lewis Wallant | (novel) | |
Produced by | |||
| Philip Langner | .... | producer | |
| Roger Lewis | .... | producer | |
| Joseph Manduke | .... | associate producer | |
| Worthington Miner | .... | executive producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Boris Kaufman | |||
Film Editing by | |||
| Ralph Rosenblum | |||
Casting by | |||
| Jessica Levy | |||
Production Design by | |||
| Richard Sylbert | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Ed Callaghan | .... | hair stylist | |
| Bill Herman | .... | makeup artist | |
Production Management | |||
| Ulu Grosbard | .... | unit manager | |
| Mel Howard | .... | assistant production manager | |
| Al Markim | .... | executive in charge of production (as Alfred Markim) | |
Second Unit Director or Assistant Director | |||
| Dan Eriksen | .... | assistant director | |
Art Department | |||
| Albert Brenner | .... | assistant art director (as Al Brenner) | |
| Jack Flaherty | .... | set dresser | |
| Ken Thompson | .... | construction chief | |
| Thomas Wright | .... | chief props (as Tom Wright) | |
Sound Department | |||
| Jack Fitzstephens | .... | sound editor | |
| James A. Gleason | .... | sound mixer (as James Gleason) | |
| Alan Heim | .... | sound editor | |
| Dennis Maitland | .... | sound | |
| James Perdue | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Howard Fortune | .... | chief electrician (as Buddy Fortune) | |
| Edward Knott | .... | chief grip (as Eddie Knott) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
Editorial Department | |||
| Sheila Bakerman | .... | assistant editor | |
Music Department | |||
| Billy Byers | .... | orchestrator (as William Byers) | |
| Quincy Jones | .... | orchestrator | |
| Richard Hazard | .... | orchestrator (uncredited) | |
| Jack Sheldon | .... | musician: trumpet (uncredited) | |
Other crew | |||
| Belle Iacobellis | .... | production secretary | |
| Maggie James | .... | script supervisor | |
| Ely A. Landau | .... | presenter (as Ely Landau) | |
| Dana Steadley | .... | production secretary | |
| Herbert R. Steinmann | .... | presenter | |
| Harold Reidman | .... | location manager (uncredited) | |
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| The Believer | Enemies: A Love Story | I Love You, I Love You Not | The Truce | Fateless |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A classic. One of the few if not only who portrays not the atrocity at the surface, but the trauma afterward. No evil SSers in their black uniforms of death. It might have been more entertaining and simple to understand. Instead the movie captures the evil in the victim. There are the walking dead. Those who survived. For them living was nothing but survival. The setting is NYC of the 60s. This movie will outlive most movies. It is a true classic in the psychological genre. The only minor flaw is the clownesque character of Jesus. Rod Steiger puts down an excelling performance as the character of the pawnbroker. A very esthetic filming in black and white.