| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Sidney Poitier | ... | Gordon Ralfe | |
| Shelley Winters | ... | Rose-Ann D'Arcey | |
| Elizabeth Hartman | ... | Selina D'Arcey | |
| Wallace Ford | ... | Ole Pa | |
| Ivan Dixon | ... | Mark Ralfe | |
| Elisabeth Fraser | ... | Sadie | |
| John Qualen | ... | Mr. Faber | |
| Kelly Flynn | ... | Yanek Faber | |
| Debi Storm | ... | Selina, Age 5 | |
| Renata Vanni | ... | Mrs. Favaloro | |
| Saverio LoMedico | ... | Mr. Favaloro | |
| rest of cast listed alphabetically: | |||
| Vincent Chase | ... | Man (uncredited) | |
| Tom Curtis | ... | Bus Driver (uncredited) | |
| Fred Holliday | ... | Man (uncredited) | |
| Dorothy Lovett | ... | Woman (uncredited) | |
| Gregg Martell | ... | Man (uncredited) | |
| David Richards | ... | Messenger (uncredited) | |
| Robert Williams | ... | Neighbor (uncredited) | |
Directed by | |||
| Guy Green | |||
Writing credits | ||
| Elizabeth Kata | (novel "Be Ready With Bells and Drums") | |
| Guy Green | (written by) | |
Produced by | |||
| Pandro S. Berman | .... | producer | |
| Kathryn Hereford | .... | associate producer | |
| Guy Green | .... | producer (uncredited) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| Rita Roland | |||
| Hal G. Davis | (uncredited) | ||
Art Direction by | |||
| George W. Davis | |||
| Urie McCleary | |||
Set Decoration by | |||
| Henry Grace | |||
| Charles S. Thompson | |||
Makeup Department | |||
| William Tuttle | .... | makeup creator | |
Production Management | |||
| Lindsley Parsons Jr. | .... | assistant production manager: MGM (uncredited) | |
Second Unit Director or Assistant Director | |||
| Hank Moonjean | .... | assistant director | |
| Bill Finnegan | .... | assistant director (uncredited) | |
| Herb Hirst | .... | assistant director (uncredited) | |
Art Department | |||
| Bill Graham | .... | prop (uncredited) | |
| Robert Murdock | .... | prop (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Larry Hadsell | .... | boom operator (uncredited) | |
| Larry Jost | .... | sound mixer (uncredited) | |
| Bruce Wright | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Robert R. Hoag | .... | special visual effects | |
Stunts | |||
| Loren Janes | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenny Bell | .... | still photographer (uncredited) | |
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Lloyd Isbell | .... | grip (uncredited) | |
| Wes Shanks | .... | gaffer (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
Other crew | |||
| Dorothy Aldrin | .... | script supervisor (uncredited) | |
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| Giant | Mother and Child | To Kill a Mockingbird | Notes on a Scandal | Devdas |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
One of those genuinely moving and emotional films that toes the line to excellence and almost succeeds. Young Elizabeth Hartman (Oscar-nominated) is blind and has been a part of a household where she has been treated like a second-rate stranger and outcast by her cold mother (Shelley Winters is a smashing Oscar-winning turn). One day Hartman meets professional businessman Sidney Poitier in the local park and they become quick friends as Hartman is treated with love and respect by Poitier while Hartman's handicap means she does not know that Poitier is really African-American. Two pure hearts are able to overcome the cruelty of others in this fine American motion picture that is well worth one's time. It is one of the better films of the 1960s. Sidney Poitier was at the top of his career here. 4.5 out of 5 stars.