Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged ... See full summary »
Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust. Besides her student life she likes to stroll about Paris, to explore ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger - apparently a fugitive from someone aboard - entrusts her with a jewel in the shape of a ... See full summary »
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs. Written by
Here's a chance to see a set of simply produced, very accessible little films by masters of the New Wave era.
Each story is mildly outlandish, but the storytelling is superb, and the human responses that are the focus of each story hold your attention and manage to build empathy despite the shortness of each segment.
Even though each story centers around a conflict of some sort, there's a genuine sweetness to the way situations are handled. And seeing the stories unfold against the backdrop of 1960's Paris adds an extra visual element to make these films viewer-friendly and, modest as these films are, memorable.
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