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Storyline
Desdemona defies her father to marry the Moor of Venice, the mighty warrior, Othello. But Othello's old lieutenant, Iago, doesn't like Othello, and is determined to bring about the downfall of Othello's new favorite, Cassio, and destroy Othello in the process, by casting aspersions on Othello's new bride. Written by
Kathy Li
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An actual performance of the National Theatre of Great Britain
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Quotes
Othello:
O, blood, blood, blood!
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Connections
Referenced in
If.... (1968)
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Soundtracks
"Fanfares"
(uncredited)
Music by
Jack Trombey
De Wolfe Music Ltd
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The National Theatre production of 'Othello' was legendary - one of Laurence Olivier's iconic roles from the era when white actors still blacked up to play the lead part.
But is it really any good on the screen? It is essentially filmed theatre with an overpowering performance from Olivier, which is perhaps too large for viewing away from the stage - but it does benefit from three key parts of excellence in support (Frank Finlay as Iago, in Shakespeare's longest role as far as numbers of lines is concerned; Maggie Smith as a delicate Desdemona; and a very young Derek Jacobi as Cassio, resplendent in fine clothes and groomed hair).
Trimmed slightly from the full play, it nevertheless keeps the main characters and the sense of the story, and plays at nearly two and a half hours. Tight direction, good diction, and - as far as filmed theatre can be - adequate sets give this Othello an edge which means it is still relevant today.