Two young scientists are exploring new fields of nuclear physics. Dmitry Gusev and Ilya Kulikov are good friends, but rivals in love. Dmitry marries Lyolya and they live happily together. ... See full summary »
The story of a man (Andrey Sokolov) whose life was ruthlessly crippled by World War II. His wife and daughters were killed during the bombing of his village, he spent some time as a ... See full summary »
Ilya Semenovich Melnikov is a history teacher in an ordinary Soviet high school. He is a very good teacher and his students and colleagues treat him with a great deal of respect. However, ... See full summary »
A 1973 Soviet twelve-part television series, directed by Tatyana Lioznova and based on the novel of the same title by Yulian Semyonov. The series portrays the exploits of Maxim Isaev, a ... See full summary »
The hero of the film is an insurance agent who is also a car thief. He steals cars only from various crooks and never from the good people. Then he sells those stolen cars and gives all the... See full summary »
In a freezing cold World War II winter, two pro-Soviet partisans - Sotnikov and Rybak - head off to find food for themselves and their compatriots. They find a goat at the home of a German ... See full summary »
An extraordinarily powerful reminder to the future generations of the horrors of German nazism
It is hard to draw parallels between this brilliantly narrated compilation of both Allied and Third Reich's archive films and Hollywood's productions such as "Schindler's List" or "Jakob the Liar". While the latter present limited, sanitized and artificial-looking depictions of life under the Nazi rule, Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
Note the timing: the film was released in 1965, in the Soviet Union's heyday at the height of the great societal and intellectual "thaw" that followed the Stalin's death and the denunciation of Stalin's totalitarianism by Nikita Khruschev. Never explicitly mentioning any of them explicitly, the film targets tyranny and despotism no matter what form they may take; the release of such a film would have been impossible under Stalin.
A good indicator of the power of this film could be the fact that it is available in most video stores in Germany.
69 of 81 people found this review helpful.
Was this review helpful to you?