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None But the Brave (1965)

Approved | | Drama, War | 24 February 1965 (USA)
During WW2, a platoon of Marines crash-lands on a tiny Pacific island occupied by a small Japanese unit.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Takeshi Katô ...
Sgt. Tamura (as Takeshi Kato)
Homare Suguro ...
Lance Cpl. Hirano
Kenji Sahara ...
Cpl. Fujimoto
Masahiko Tanimura ...
Lead Pvt. Ando
Tôru Ibuki ...
Pvt. Arikawa (as Toru Ibuki)
Ryûchô Shumpûtei ...
Pvt. Okuda (as Ryucho Shunputei)
Hisao Dazai ...
Pvt. Tokumaru
Susumu Kurobe ...
Pvt. Goro
Takashi Inagaki ...
Pvt. Ishi
Kenichi Hata ...
Pvt. Sato
...
...
...
...
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Storyline

American and Japanese soldiers, stranded on a tiny Pacific island during World War II, must make a temporary truce and cooperate to survive various tribulations. Told through the eyes of the American and Japanese unit commanders, who must deal with an atmosphere of growing distrust and tension between their men. Written by Martin Booda <booda@us1.msrcnavo.navy.mil>

Plot Summary | Add Synopsis

Taglines:

The brave are never different - only different looking!

Genres:

Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

|

Release Date:

24 February 1965 (USA)  »

Also Known As:

Los valientes mueren de pie  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording) (uncredited)

Color:

(Technicolor) (as Technicolor®)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Weapons used by Marines are M1, Grease gun, carbine .45 cal pistol. See more »

Goofs

One African American belongs to the USMC platoon. At this time, US military was not an integrated military and Blacks were segregated. This Black soldier couldn't have been a member of this platoon. See more »

Crazy Credits

The line NOBODY EVER WINS appears in place of "The End" just before the end credits start, which is appropriate given the film's anti-war message. See more »

Connections

Featured in Stars of the Silver Screen: Frank Sinatra (2011) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Tommy Sands of Iwo Jima!
5 April 2004 | by (Cincinnati, OH) – See all my reviews

In the midst of WWII, a pair of American transport planes (each full of Marines) is shot down. One (piloted by Walker) manages to crash land on a nearby uncharted island which happens to be inhabited by a small contingent of Japanese soldiers. Directed by Sinatra (in his one and only try), the film demonstrates the parallels and differences between these small units of soldiers on opposing sides and with varying backgrounds. Much of the film is devoted to the Japanese point of view as they are led by Mihashi (and most of it is presented in their native tongue with subtitles.) The rest concerns Walker, who takes charge of the remaining men, Sinatra, a boozy medic, Sands, a hopelessly eager upstart and Dexter, a grizzled Sergeant. Hostility between the enemies finally gives way to a sort of truce, or at least a cease-fire, until finally the men must live up to their country's expectations of eliminating each other. There's a lot of good in the film. It was an early example of showing more than one perspective with regards to enemies of America and it demonstrates, at times rather well, the ultimate futility and wastefulness of war. However, Sinatra, as a director, is in a bit over his head and the film is often static or choppy in it's narrative. There are also a ridiculous amount of scenes in which characters stay alive simply because either the enemy stops shooting (for no reason) or else misses by a mile. A lot of this could have been rectified in the staging of the battle sequences. Sinatra's role in the film is actually a supporting one, mostly consisting of one queasy, unbearably nerve-tingling sequence in which he is traded to the Japanese in order to perform surgery on one of their men. Otherwise, he is just onhand to provide the occasional snarky remark. Walker is a tower of virility and quiet strength. NO ONE wore a helmet like him or filled out their fatigues with more monument-like beauty. His enthralling baritone voice and piercing, ice-blue eyes make sitting through this film a little more enjoyable than it could have been without him. Sands is so unintentionally hilarious and so jaw-droppingly bad that his scenes ascend into some crazed, parodic comic stratosphere! WHAT was he thinking? It's like some teenage punk decided to portray a soldier the way he always dreamed of when in his sandbox as a child. His jaw, his posture, his accent.....all combine to create a memorably uproarious caricature. Dexter (the always-forgotten member of "The Magnificent Seven") has a couple of decent moments, notably in a conflict with Walker. Other soldiers are portrayed by healthy-looking, earnest actors who fit their roles well, though most of them don't get a chance to really shine. There are two very brief flashbacks by Mihashi and Walker that present the lady loves of their lives. Walker's is played (with hair and make-up that are about as 1940's as Sharon Tate in "Valley of the Dolls"!) by Stephens in her film debut. Though uneven, the film succeeds in presenting the enemy as human and in promoting the power of goodwill. The fact that Walker, in every frame, is breathtakingly handsome is gravy. (Oddly, he is pictured NOWHERE on the video box even though he is actually the leading man of the film!)


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