The Dacian kingdom lies at the eastern border of the Roman Empire.Only the river Danube separates the two mortal enemies.The Dacian king Decebalus knows that soon the vastly superior Roman legions will cross the river and attack Dacia.
After Iron Guard member Paraipan discovers that commissioner Moldovan had staged his own death, he kidnaps Moldovan's son in order to draw him out. Tensions build up resulting in a final epic confrontation.
The Iron Guard, also known as Legion of Archangel Michael, was a Romanian nationalist and patriotic movement of extreme right; as such, after it rose to power, it supported Nazi Germany and... See full summary »
After the death of Prince Stephen the Great the throne of the Principality of Moldavia is up for grabs.Two of Prince Stephen's legitimate descendants, Stefan Tomsa and Elisabeta Movila start a bloody civil war of succession in 1612.Elisabeta Movila is the widow of former ruler Ieremia Movila and mother of Constantin Movila who briefly held the throne of Moldavia but was ousted and replaced by Prince Stefan Tomsa.They both have legitimate claims to the throne of Moldavia and this particular succession war seems inevitable.The Stefan Tomsa faction is militarily supported by the Ottoman Turks and by the Tatar Khan Temir Bey.The Movila faction is supported by boyars loyal to the Movila clan and by a few Polish nobles aided by an army of mercenaries.In 1612 the Principality of Moldavia is shattered by war. Written by
good intentions. and bizarre result. that is all. a too serious and not really inspired adaptation of one of the most Romanian historical novels . saved by acting - and that is a rule for the films under Communist regime - it is reflection of the ambition of Mircea Drăgan to realize a kind of blockbuster. nothing bad if you ignore the kitsch, the chaotic events, the desire to create the atmosphere using dialogues in different languages, exotic dances and costumes and mixture of influences from different periods. a film who has a good start and few nice scenes. and a small sin - the lost of direction. the performance of Ștefan Ciubotărașu as the boyar Orheianu represents one of the good points of film. and, in same measure, Ștefan Tomșa in the interpretation of Ion Besoiu. but it is not really enough for define the film more than an eccentric cocktail of different influences.
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