| Hal Hopper | ... | Sidney Brenshaw | |
| Antoinette Cristiani | ... | Hannah Brenshaw | |
| John Furlong | ... | Calif McKinney | |
| Rena Horten | ... | Eula | |
| Princess Livingston | ... | Maggie Marie | |
| Lorna Maitland | ... | Clara Belle | |
| Sam Hanna | ... | Injoys | |
| Stuart Lancaster | ... | Lute Wade (as Stu Lancaster) | |
| Nick Wolcuff | ... | Sheriff Abel | |
| Frank Bolger | ... | Brother Hansen | |
| Lee Ballard | ... | Sister Hansen | |
| Michael Finn | ... | Thurmond Pate (as Mickey Foxx) | |
| F. Rufus Owens | ... | Milton | |
| Wilfred Kues | ... | Lynch mob (as W. Kues) | |
| Charles Felix | |||
| Mike Ferla | |||
| Pete Cunningham | ... | Lynch mob (as Peter Cunningham) | |
| Bill Gunter | ... | Lynch mob | |
| Clarence Locke | |||
| Louis Lafayette | |||
| rest of cast listed alphabetically: | |||
| Gilbert Haimson | ... | Mourner (uncredited) | |
| William Maley | ... | Townspeople (uncredited) | |
| Russ Meyer | ... | Townspeople (uncredited) | |
Directed by | |||
| Russ Meyer | |||
Writing credits | ||
| Raymond Friday Locke | (screenplay) and | |
| W.E. Sprague | (screenplay) | |
| Raymond Friday Locke | (based on the novel "Streets Paved With Gold") (as Friday Locke) | |
Produced by | |||
| George Costello | .... | producer | |
| Eve Meyer | .... | associate producer | |
| Russ Meyer | .... | producer | |
Original Music by | |||
| André Brummer | (as Henri Price) | ||
Cinematography by | |||
| Walter Schenk | (director of photography) | ||
Film Editing by | |||
| Charles G. Schelling | (as Charles Schelling) | ||
| Russ Meyer | (uncredited) | ||
Makeup Department | |||
| Miss Eddie Crispell | .... | hair stylist (as Eddie Crispell) | |
Production Management | |||
| Fred Owens | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| George Costello | .... | associate director | |
Sound Department | |||
| Charles G. Schelling | .... | sound recordist (as Charles Schelling) | |
Camera and Electrical Department | |||
| William Maley | .... | gaffer | |
| Gilbert Haimson | .... | assistant camera (uncredited) | |
Music Department | |||
| André Brummer | .... | music director (as Henri Price) | |
Other crew | |||
| George Costello | .... | dialogue director | |
| Tony Enos | .... | coordinator | |
| Gilbert Haimson | .... | production assistant (as Gil Haimson) | |
| Donald J. Hansen | .... | coordinator (as Don Hansen) | |
| Manuel Morais | .... | coordinator | |
| Bill Shelton | .... | coordinator | |
| W.E. Sprague | .... | script supervisor | |
| Tim Wilson | .... | coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
For some reason, I expected more crass (and I've seen Russ Meyer films from the late 60s and early 7s) and exploitive (although they are in docu-creepy realistic funny way) rendition of a story like this. I couldn't have been more mistaken. Perfectly cast - Hal Hopper (the ultimate sleaze-bag in a worn linen suit, babes galore - Lorna Maitland and her beautiful mute sister (can't remember her name) who was mute (and has no lines)...the "crazy" and hilarious mother of the these two "Lil Abner" rejects who makes moonshine ..on the side - whose name is Princess something (in real life)...Anyway, I'm making it sound complicated and it's not and it's not "dirty" (even for then). It's funny, serious (darkly later), kind of sexy, great b/w cinematography and the ending is on the plains.
I never thought this film would be good. Meyer's best film (that I've seen - which is about half his output). Well-done.