A German living in India during World War II is blackmailed by the English to impersonate an SS officer on board a cargo ship leaving Japan for Germany carrying a large supply of rubber for... See full summary »
Based on Terry Southern's satirical novel, a sendup of Voltaire's -Candide-. Young Candy is a high school girl who seeks truth and meaning in life, encountering a variety of kookie characters and humorous sexual situations in the process.
Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, ... See full summary »
A detective uncovers a formula that was devised by the Nazis in WW II to make gasoline from synthetic products, thereby eliminating the necessity for oil--and oil companies. A major oil ... See full summary »
John G. Avildsen
George C. Scott,
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
A German living in India during World War II is blackmailed by the English to impersonate an SS officer on board a cargo ship leaving Japan for Germany carrying a large supply of rubber for tyres. His mission is to disable the scuttling charges so the captain cannot sink the ship if they are stopped by English warships. Written by
Daniel Bruce <email@example.com>
In the book 'Marlon Brando: The Biography' by Peter Marso, it states that Marlon Brando was "faced as he was with his still unfulfilled obligation" to "his ten-year old debt to [studio 20th Century] Fox, which would force him to begin shooting 'Morituri' in April 1964." Brando plays a Nazi soldier in this film as he had done so in the earlier The Young Lions (1958) for 20th Century Fox, both movies being filmed in black-and-white and both being for made for the same studio. See more »
Looks great. Proof Brando did great things in the 60's.
If the plot is a little hard to follow at times, Morituri at least looks great. Fantastic black and white cinematography, which provides some great noirish moments, especially below-deck, and Marlon Brando, make this a very beautiful movie to look at. The 60's are generally thought of as Brando's "down period," between his giving up the part of Lawrence of Arabia and ending up being falsely blamed for the project he chose instead of it going over budget, Mutiny on the Bounty (1962), and his massive "comeback" with The Godfather in 1972 (by the way, Marlon's simple reason for his choice between the two projects, was he'd much prefer to be swimming in beautiful Tahiti for three months than stuck in a hot desert for three months!). Because of this myth, Brando afficionadoes seek out movies from this period and test how accurate a reflection of talent and ability public opinion and money-making is. I haven't yet seen all of them, but the example of Morituri suggests that there was no reason to suspect Brando's talents ever dimmed. Some projects he had no respect for, and clearly just walked through the part - but when he cared, and when the director could tell the difference between a "full" take and an empty one, Brando was electric. Morituri is an example where we see Brando at his best. His German accent in this is actually quite good - certainly better than his English accent - and it contains quite a few special Brando moments (like when he is discovered below-deck by someone who isn't aware he shouldn't be there). Jerry Goldsmith's (Omen) score is a highlight. Very Herrmann-esque.
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