A young man visits his fiancée's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in ...
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When his brother disappears, Robert Manning pays a visit to the remote country house he was last heard from. While his host is outwardly welcoming - and his niece more demonstrably so - ... See full summary »
Three horror stories based on the writings of Nathaniel Hawthorne. In the first story titled "Dr. Heidegger's Experiment", Heidegger attempts to restore the youth of himself, his fiancee ... See full summary »
A young man visits his fiancée's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results. Written by
Jeremy Lunt <email@example.com>
The taxi driver puts Steven's suitcase in the cab but when he hears where Steven wants to go, he refuses to take him, instead driving off with the suitcase. And Steven has his suitcase back a few seconds later. See more »
Originally filmed under the more atmospheric title 'The House At The End Of The World', sadly both the American ('Die, Monster, Die!') and British ('Monster Of Terror') titles reflect the quality of the movie.
An adaptation of H P Lovecraft's 'The Colour Out Of Space' it feels more like a Poe adaptation, with its old dark mansion, subterranean corridors and air of family secrets. Unsurprisingly first-time director Haller was Corman's production designer/art director on the Poe series and the end result is a good-looking movie ruined by a poor script.
Karloff is wasted as is the cast, which is a shame as it is a fine one. Freda Jackson, Suzan Farmer and Patrick Magee are genre veterans who have given (or would go on to give) fine horror performances in other movies, here they are just thrown away in small cameo roles or, in Farmer's case, a stiff, disconnected leading role.
Haller would go on to make the far better Lovecraft adaptation, 'The Dunwich Horror', which, while flawed, is well worth checking out.
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