Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit ... See full summary »
While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties. The boys at the Met station have no more idea what is going on than the regulars at the ... See full summary »
Joe Baron is a cop with money problems that seem solved when Joe is assigned to a burglary case involving half a million dollars stolen from a doctor office's safe.The very rich doctor Dr. Horace Van Tilden managed to shoot the intruder during the burglary but the thief is still breathing when the two cops arrive on the scene.On the way to the hospital the burglar reveals to Joe Baron that his target indeed was the half million dollars in the doctor's safe and the combination to the safe.Joe and his partner, Pete Delanos, decide to get to the cash and keep it for themselves. Written by
This was the last of the several films Glenn Ford and Rita Hayworth made together. It was a sign of the times that, whereas Hayworth had always been top-billed over Ford in the earlier films, here she was third-billed behind Ford and a relative newcomer, Elke Sommer. See more »
The cast and quality black-and-white camera work would seem to destine this film for something great but we don't get there. The problem seems to be the storyline/script which is just too familiar and predictable. Glen Ford plays a fairly well-to-do cop who feels pressured by his barbie doll young wife, Elke Sommer, to deliver even more affluence. His partner, Montalban, is more directly avaricious. Cotten is a corrupt doctor and a very used looking Rita Hayworth is Ford's ex-girlfriend from years ago.
Ford as usual, underplays but nevertheless makes you feel the cold emptiness and disillusionment of the character. Everyone else delivers well but I think we have all seen these characters, motivations and situations a hundred times before and the script does not give any room for interesting angles or surprises. We get a very dark (literally and figuratively) and gritty film but not something that is likely to grow on you. If this had been made in 1932, it would have been a far more significant film. By the mid 60s, it was tired formula.
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