Harriet Green, a beloved and radiant music hall star of the Edwardian era, has a guilty secret: She has a baby daughter, born out of wedlock. Harriet leaves her public and flees to South ... See full summary »
Ukrainian Archbishop Kiril Lakota is set free after two decades as a political prisoner in Siberia. He is brought to Rome by Fr. David Telemond, a troubled young priest who befriends him. ... See full summary »
After having been interned in a concentration camp by the Nazis, Professor Taumen, a Jewish surgeon, and his future daughter-in-law leave Italy for Palestine. Once there they are guided by ... See full summary »
Renowned gunman Richard Martin is traveling on a train, held up by Billy Kane, a former student of Martin's. Kane spares Martin, but only after shooting his hands. Years later, Martin meets... See full summary »
Enrico Maria Salerno,
Joe Baron is a cop with money problems that seem solved when Joe is assigned to a burglary case involving half a million dollars stolen from a doctor office's safe.The very rich doctor Dr. Horace Van Tilden managed to shoot the intruder during the burglary but the thief is still breathing when the two cops arrive on the scene.On the way to the hospital the burglar reveals to Joe Baron that his target indeed was the half million dollars in the doctor's safe and the combination to the safe.Joe and his partner, Pete Delanos, decide to get to the cash and keep it for themselves. Written by
This was the last of the several films Glenn Ford and Rita Hayworth made together. It was a sign of the times that, whereas Hayworth had always been top-billed over Ford in the earlier films, here she was third-billed behind Ford and a relative newcomer, Elke Sommer. See more »
Ford, Hayworth paired for last time in last-ditch noir
The noir cycle had run its course by the early 60s, but a few stragglers made it through the gates before the 70s changed the way movies were made and viewed. The Money Trap is one of them, and could have been made, in terms of technique and sensibility, in 1956 rather than a decade later. (Digression: this was a time when a series of European "bombshells," most of whom seem to have learned their lines phonetically, starred in big-budget movies, in Hollywood's dizzy anticipation of multiculturalism. Here we have to endure Elke Sommer whose eyes all but cross in her attempt to pronounce English). The theme is the rot at the core of the American Dream (Norman Mailer's novel of that title appeared in 1966, too). Glenn Ford plays a police detective goaded by Sommer to a higher standard of living than his salary permits. He allows himself to be lured into the company of some very shady characters, chief among whom is Joseph Cotten, and starts his descent down the primrose path. Best part of the movie is the return of Rita Hayworth (Ford and she first paired, unforgettably, in Gilda 20 years earlier), as a blowsy waitress with whom Ford once.... Well, you get the picture. When he asks her how she's been, she grudgingly responds, "I've been around."
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