Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
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A man wearing an expensive gray suit finds himself in Central Park in New York City not knowing who he is or how he got there. His amnesia even extends to the fact that he doesn't know how he takes his coffee. All he has on his possession are a crumpled piece of paper wrapped around a couple of pills, the paper also with a scribbled telephone number. He is also wearing a ring with a broken stone, the ring engraved from its giver with his or her monogram, G.V. The telephone number takes him to a woman who doesn't know who he is. Based on what she calls him and some item association, he begins to call himself Sam Buddwing if anyone asks him. As he wanders New York City in a daze, he believes he may be an escaped mental patient based on a newspaper story, his clothes and the monogrammed ring. But a vision of a young brunette makes him remember a woman in his life named Grace. He manages to spend time with a few women during the day, many times he believing that woman is Grace herself. ... Written by
In his memoirs "The Garner Files" (2011), James Garner rates this as his worst movie. His comment about it: "I'd summarize the plot, but to this day, I have no clue what it is. Worst picture I ever made. What where they thinking? What was I thinking?" (page 256) See more »
When Buddwing approaches Janet in the city, she sits on a park bench and the boom mic is plainly visible at the bottom of the screen. See more »
I saw this movie on TNT after being intrigued by the lackluster comments from reviewers. I typically like James Garner movies. After seeing the movie, I saw it as a religious allegory. James Garner plays Everyman who was searching to answer the question "Who am I?" During the movie, I realized that he asks that question rather than the question "What is my name?" He is asking an ontological question.
Furthermore, there are two scenes where he refers to the deity. In the first scene, where he is youthfully impetuous, he refers to "all the gods of the earth and cosmos" or something. In the latter reference to deity, he soberly and humbly refers to "God." This reference occurs after an intervening scene of a flashback where he tells his young wife that he loves perfection that he finds in music. He then hears Bach's Requiem Mass; they enter a church and stand before an altar. This is an example of how knowledge of nature can lead to God. As the flashbacks bring back more of his life, Garner matures as finally realizes his current, wretched condition.
The final scene is quite touching. He finds life through grace. Of course, Grace is his wife's name but the scene allegorically refers to the "saving grace." The movie is not a typical amnesia movie. It is disjointed and the dialog stilted, but, like a classical painting, many scenes have meaning when viewed from a religious viewpoint. Perhaps seeing this viewpoint requires knowledge of Christian doctrine. I would've ordered it on DVD, but it doesn't seem to be available.
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