IMDb > Mickey One (1965)
Mickey One
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Mickey One (1965) More at IMDbPro »

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Down 22% in popularity this week. See why on IMDbPro.
Alan Surgal (written by)
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Release Date:
27 September 1965 (USA) See more »
...and the name of the game is Mickey! See more »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One"... See more » | Add synopsis »
1 nomination See more »
User Reviews:
Kafka meets Algren See more (34 total) »


  (in credits order)

Warren Beatty ... Mickey One

Alexandra Stewart ... Jenny Drayton

Hurd Hatfield ... Ed Castle

Franchot Tone ... Ruby Lapp
Teddy Hart ... George Berson

Jeff Corey ... Larry Fryer

Kamatari Fujiwara ... The Artist
Donna Michelle ... The Girl
Ralph Foody ... Police Captain
Norman Gottschalk ... The Evangelist
Dick Lucas ... Employment Agent
Jack Goodman ... Cafeteria Manager
Jeri Jensen ... Helen
Charlene Lee ... The Singer
Benny Dunn ... Nightclub Comic
Denise Darnell ... Stripper
Dick Baker ... Boss at Shaley's
Helen Witkowski ... Landlady
Bill Koza ... Art Gallery Patron (as William Koza)
David Crane ... Art Gallery Patron
Michael Fish ... Italian Restaurant Owner (as Mike Fish)
Greg Louis ... Bartender
Gus Christy ... Bartender
David Elsen ... Desk Clerk
Robert Sickinger ... Policeman
Lew Prentiss ... Kismet Boss
Grace Colette ... B-Girl
Boris Gregurevitch ... Kismet Comic
James Middleton ... Iggie
Dink Freeman ... Xanadu M.C.
rest of cast listed alphabetically:

Jeffrey Allen ... Fat Bum getting beaten up (uncredited)
Aram Avakian ... Mickey's tormentor in theater (voice) (uncredited)
Tom Erhardt ... Minor Role (uncredited)
Jason Fithian ... Jake Duffy (uncredited)

Dennis Franz ... Minor Role in Dressing Room (uncredited)
Bob Konovsky ... Bouncer choking bar patron (uncredited)
Jan Marsh ... Dancer (uncredited)

Fran Ryan ... Homeless Woman (uncredited)
Earl Sands ... Bouncer (uncredited)

Directed by
Arthur Penn 
Writing credits
Alan Surgal (written by)

Produced by
John G. Avildsen .... executive producer
Arthur Penn .... producer
Harrison Starr .... associate producer
Original Music by
Eddie Sauter 
Cinematography by
Ghislain Cloquet (director of photography)
Film Editing by
Aram Avakian 
Production Design by
George Jenkins 
Costume Design by
Domingo A. Rodriguez  (as Domingo Rodriguez)
Makeup Department
Robert Jiras .... makeup artist
Production Management
William T. Schneider .... unit supervisor
Second Unit Director or Assistant Director
Russell Saunders .... assistant director
Art Department
Thomas Wright .... property master (as Tom Wright)
Sound Department
Edward Beyer .... sound effects editor
Walter Goss .... sound mixer
Hugh A. Robertson .... sound effects editor (as Hugh A. Robertson Jr.)
Camera and Electrical Department
Lutz Hapke .... camera operator
Morris Rosen .... key grip
William Stuebe .... gaffer (as William Steube)
Editorial Department
Marc Laub .... assistant editor
Robert Q. Lovett .... assembly editor (as Robert Lovett)
Music Department
Bob Abernathy .... musician: French horn
Ray Alonge .... musician: French horn
Don Ashworth .... musician: reeds
Richard Berg .... musician: French horn
Eddie Bert .... musician: trombone
Al Block .... musician: tenor sax, clarinet, flute, piccolo
Jimmy Buffington .... musician: French horn
Eli Carmen .... musician: bassoon
Earl Chapin .... musician: French horn
Richard Davis .... musician: acoustic double bass
Al DeRisi .... musician: trumpet
Ernie DiFalco .... musician: trumpet
Harvey Estrin .... musician: alto sax, clarinet, flute, alto flute, piccolo
Joe Ferrante .... musician: trumpet
Barry Galbraith .... musician: guitar
Stan Getz .... musician: improvisations
Wally Kane .... musician: bass sax, clarinet, bassoon
Roger Kellaway .... musician: piano
Mel Lewis .... musician: drums, percussion
John Messner .... musician: trombone
Tommy Mitchell .... musician: bass trombone
Bobby Nichols .... musician: trumpet
Harvey Phillips .... musician: tuba
Ephie Resnick .... musician: trombone
Charlie Russo .... musician: reeds
Sonny Russo .... musician: trombone
Jack Shaindlin .... conductor
Jack Shaindlin .... music supervisor
Ray Shiner .... musician: tenor sax, clarinet, oboe, cor anglais
Clark Terry .... musician: trumpet, fluegel horn
Other crew
Roberta Hodes .... script supervisor
Jill Jakes .... production aide
Gene Lasko .... assistant to producer

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
93 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Location filming was done in Chicago March through May of 1964. The stars stayed at the Astor Towers Hotel during filming. Interiors were shot at Fred Niles Studios which are now Oprah's Harpo Studios. The exterior of the Xanadu night club in the film was the old Gate of Horn folk club at the southeast corner of Dearborn & Chicago. The interior night club scenes were shot in what had been the short-lived "new" Chez Paree at 400 N. Wabash. The film opened in Chicago on October 27, 1965 at the Woods Theater which can be seen in film with the film "The Cardinal" listed on the marquee.See more »
Mickey One:I'm the king of the silent pictures. I'm hiding out till the talkies blow over. Will you leave me alone?See more »


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13 out of 17 people found the following review useful.
Kafka meets Algren, 28 April 2007
Author: screaminmimi from United States

This is a movie where the landscape is a major character. Arthur Penn made the most of his Chicago locale. Much of what he used is no longer standing, but it is deeply ingrained in true Chicago-influenced art: not just the works of Nelson Algren, but Richard Wright, Theodore Dreiser and James T. Farrell, blues artists from Maxwell Street, Ivan Allbright's grotesque paintings, the non-fiction of Studs Terkel and Upton Sinclair, Gwendolyn Brooks' poems all drew a kind of grimy vitality from this landscape, as well.

There are bits and pieces of that Chicago still standing. I know them when I see them, because--even in person--they leave me with the impression of being in black and white monochrome rather than color. If you get to see this black and white part of Chicago or some other big city (older parts of Tokyo are like this too), you will see how a place can exert such a powerful influence on the people in it. If you accept that premise in this movie, the actions of the characters become more understandable. What may at first glance seem absurd becomes reasonable (if not rational), given the influence of the environment.

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