During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas. Written by
The type of howitzer used by Lieutenant Graham in the M1841 12
pounder Mountain Howitzer, a small but effective piece used primarily as horse artillery. In the final battle, Graham orders that the piece be elevated to 28 degrees; the highest level that can be reached for this piece is ten degrees. See more »
In the territory of New Mexico towards the end of the Civil War, an Indian, Sierra Charriba, and his Apache warriors raided, sacked and looted an area almost three times the size of Texas.
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"Major Dundee" is Sam Peckinpah's rehearsal for "The Wild Bunch." The stories for both films are basically the same (men whose time has come and gone and they know it, and who don't fit in either society they are forced to be in, and they know that, too). "Dundee" has a good story, excellent action scenes and a sterling supporting cast of first-rate character actors (R.G. Armstrong, John Davis Chandler, Warren Oates, among others), but as previously noted, the film tends to fall apart during the second half. Senta Berger, although ravishing to look at, is totally wasted in a superfluous part, and the entire second half of the film has a choppy, disjointed feel to it. The main problem with it, apparently, was some major interference by Columbia Pictures and especially producer Jerry Bresler. Peckinpah's vision of the story and Bresler's were reportedly miles apart, and after the picture was shot and edited, Bresler and Peckinpah had a major blow-up, the producer had Peckinpah barred from the Columbia lot and hired his own editor to help him recut the picture. When star Charlton Heston saw the version that Bresler and his editor came up with, he went to the executives at Columbia and told them that he would have his name taken off the picture and never work for Columbia again if Peckinpah was not allowed back on the lot to cut the picture the way he wanted. Eventually a compromise was reached and Peckinpah was allowed to work on the editing, but the film still wasn't the way he wanted it, and he basically disowned it. It's too bad, as it's still a very good picture, but it could have been a great one.
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