The Loved One (1965) 7.0
Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery. Director:Tony Richardson |
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The Loved One (1965) 7.0
Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery. Director:Tony Richardson |
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| Cast overview, first billed only: | |||
| Robert Morse | ... | ||
| Jonathan Winters | ... | ||
| Anjanette Comer | ... | ||
| Dana Andrews | ... | ||
| Milton Berle | ... | ||
| James Coburn | ... | ||
| John Gielgud | ... | ||
| Tab Hunter | ... | ||
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Margaret Leighton | ... | |
| Liberace | ... | ||
| Roddy McDowall | ... | ||
| Robert Morley | ... | ||
| Barbara Nichols | ... | ||
| Lionel Stander | ... | ||
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Roxanne Arlen | ... | |
Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home. Written by Jeremy Perkins <jwp@aber.ac.uk>
It is hard to place any kind of meaningful description to this film because it takes cultural, social, and moral ideals and stomps on them. Additionally, the casting of the film goes against type, with Jonathan Winters, for example, as a dark, imposing religious force. The acting is superb, intense and, at times, intentionally campy and over-the-top. Each scene seems outrageous and, at times, ridiculous but inexorably moves the characters, and the audience, to a lip-biting conclusion.
Terry Southern, one of the credited screen writers, was also responsible for Kubrick's Dr Strangelove, Barbarella, Candy, Easy Rider, The Magic Christian, and many other wacky films. Knowing this may help to place it in some familiar context. Of all his films, though, this is the darkest.
If you are disturbed or offended by the funeral business, death in general, dead pets, or slightly veiled hints at necrophilia then you might want to give this one a miss. If you're brave and open-minded, however, I highly recommend this truly strange and wonderful film.