Rich playgirl Kit Jordan (nee Katherine Lawson Chandler) is in Acapulco vacationing with her current husband, Pete Jordan, formerly an American beach boy working the Acapulco shores for ...
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David Lowell Rich
Rich playgirl Kit Jordan (nee Katherine Lawson Chandler) is in Acapulco vacationing with her current husband, Pete Jordan, formerly an American beach boy working the Acapulco shores for rich women. Meanwhile, the body of one of Pete's fellow beach boys, Billy Andrews, washes to shore. On his wrist is a bracelet engraved with "Love is thin ice." The police investigate whether it was murder or suicide. Conflict arises when Billy's old girlfriend, Carol, makes a play for Pete, and beach boy Hank tries to score with Kit, and the stability of the marriage is put to the test. Written by
K. Jackson <firstname.lastname@example.org>
Nancy Wilson's opening-credits title song tells us that "love has many faces...and I mean to kiss every one!" Unfortunately, there are more hisses than kisses happening here, as an attractive cast lounges sleepily in the cartoonish paradise of Acapulco yet nobody seems to be having a good time. Lana Turner (tanned and coiffed to a fare-thee-well) plays a wealthy woman who used to run around with beach boys and gigolos until she married one (Cliff Robertson, looking dour); when an ex-paramour washes up dead on the beach, Lana isn't a suspect in his death but certainly acts like she is. Hugh O'Brian plays a virile, narcissistic stud wooing vacationer Ruth Roman, while Stefanie Powers turns up as another former lover of the deceased rivaling Turner for Robertson's affections. It might be too silly--and slurpy-slow--for words were it not for some amusingly catty digs and an unintentionally hilarious bit where Lana meets an angry bull head-on. The fashions and settings are ravishing, so there's really no need for all these people to be so bitter and petty. Money seems to flow between them like water, and everyone looks great in (and out) of their clothes. Alexander Singer directs the whole thing with one eye shut; alas, his film is half-asleep. ** from ****
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