Lady L (1965)

Director:

Peter Ustinov

Writers:

Romain Gary (novel)
Peter Ustinov (writer)

Release Date:

17 December 1965 (UK)

Genre:

Comedy

Plot:

Lady L. is an elegant, elderly lady who recalls the past loves and lusty adventures she has lived through.

Plot Keywords:

Anarchist | Whorehouse | Hotel | Paris France | Foreign Language Adaptation

Cast

  (Cast overview, first billed only)

Sophia Loren	...	Lady Louise Lendale / Lady L
Paul Newman	...	Armand Denis
David Niven	...	Dicky, Lord Lendale
Marcel Dalio	...	Sapper (as Dalio)
Cecil Parker	...	Sir Percy
Philippe Noiret	...	Ambroise Gérôme
Jacques Dufilho	...	Bealu
Eugene Deckers	...	Koenigstein
Daniel Emilfork	...	Kobeleff
Hella Petri	...	Madam
Jean Wiener	...	Krajewski
Roger Trapp	...	L'inspecteur de police Dubaron
Jean Rupert
Joseph Dassin	...	Un inspecteur de police (as Joe Dassin)
Jacques Legras	...	Un inspecteur de police

Runtime:

117 min | 109 min (TCM print)

Country:

France | Italy | UK

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:PG | Finland:K-16 | Sweden:Btl | West Germany:16 | Argentina:Atp

Filming Locations:

Castle Howard, Coneysthorpe, North Yorkshire, England, UK

Company:

Compagnia Cinematografica Champion

Trivia:

Director Cameo: [Peter Ustinov]

Soundtrack:

Etude, Op.25-12

Ustinov winks at society

Viewing this movie after a 30-year gap, I realize I need to appreciate the movie as a Peter Ustinov film rather than as a Sophia Loren film. While Sophia Loren is a delight for the eyes with her hour-glass figure, she proves that she cannot act competently as an elderly lady--her hoarse voice is as phony as phony can be.

Ustinov and Romain Gary carry the film. I have had the good fortune to have met Ustinov as a film critic in 1984 and discussed the few films he had directed. He was delighted as a small boy that someone remembered that he was once a director as most people recall him as actor. Ustinov the director is a superb wit and his visual digs at French and Russian society are hilarious (Romain Gary, I guess, contributed to the verbal digs at the Poles). Ustinov and Gary do not even spare the British. The farcical comedy is at its best in the opening 15 minutes with some good camerawork and some fine, witty dialogues.

Ustinov is not a top notch director but he can provide sufficient material for the laughs to keep flowing. For instance, he does not show the face of Paul Newman as the car driver, but the audience can guess that the director is hiding a crucial fact. The brothel scenes, the escape in the balloon, the actions of the police, are orchestrated with admirable finesse for a director who is detailing a farce.

That Carlo Ponti allowed Ustinov to direct this venture is a credit to Ponti as the outcome was more rewarding for Ponti's wife Loren than for Ustinov for the average viewer. The French actors were superb: Phillipe Noiret, Michel Picolli, Claude Dauphin, Jacques Dufilho, and Marcel Dalio. Claude Dauphin stood out as the best among the range of French talent.

The images of a prince playing with a bomb as though it were a plaything reduces the farce to absurdist black humour as is the choice of the assassin's dress (a priest's cassock!). So is the coughing signals alerting members of the police force during a concert. It is fun that can be enjoyed at all levels--thanks to Ustinov and Gary more than due to the contributions of the formidable line-up of actors.