Hail, Mafia (1965)
"Je vous salue, mafia!" (original title)

 |  Crime, Drama  |  December 1966 (USA)
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Ratings: 7.2/10 from 59 users  
Reviews: 6 user | 2 critic

A terrific film with a top-notch cast! Jack and Henry play hit men ordered to kill Eddie. Jack is torn between his orders and the loyalty he feels to his old pal, Eddie. An intriguing look ... See full summary »


(as Raoul J. Levy)


, (novel) (as Pierre Vial-Lesou)
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Cast overview:
Rudy Hamberg
Ricky Cooper ...
Tener Eckelberry ...
Hyman (as T.R. Ekelberry)
Carl Studer ...
Ruidosa (as Karl Studer)
Donald O'Brien ...
Mafia Thug (as Daniel O'Brien)
Jean-Marc Allègre ...
(as Jean Marc Allegre)
Danielle Couprayen


A terrific film with a top-notch cast! Jack and Henry play hit men ordered to kill Eddie. Jack is torn between his orders and the loyalty he feels to his old pal, Eddie. An intriguing look at the emotional make-up of Mafia hit men. A truly memorable climax. We definitely recommend this great crime/intrigue thriller. 16mm. Written by Anonymous

Plot Summary | Add Synopsis


Where do you run...hide...escape...when you're marked for Mafia rub-out... See more »


Crime | Drama


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Release Date:

December 1966 (USA)  »

Also Known As:

Hail, Mafia  »

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User Reviews

riveting French crime film with great performances from Henry Silva and Jack Klugman
13 August 2003 | by (south Texas USA) – See all my reviews

Writer-director-producer Raoul Levy hit a home run with this moody, intelligent, very-well acted crime film. On the surface, the plot seems simple--mafia soldiers Henry Silva and Jack Klugman are on an assignment to kill a former mafia guy played by Eddie Constantine. But the story--and most of the film--is really about the relationship between Henry Silva's and Jack Klugman's characters, and both give brilliant performances. I would never have thought of this pair of actors together, but as well as I know each of their works, I saw only the two characters, real people, not the actors. Eddie Constantine is not in the film all that much--it's Klugman and Silva's movie. Raoul Levy is probably best known here in the US as the producer of five Bridget Bardot films and of the underrated THE DEFECTOR, the last movie of Montgomery Clift. The washed-out monochrome photography by Raoul Coutard, the brilliant jazz score by Hubert Rostaing, and Levy's intelligent, literate script all come together in a powerful film that will pack an unexpected wallop for those expecting just another euro-crime film. No wonder Henry Silva's european career took off right after this film. The existential plot could easily have been from a spaghetti western or a samurai film, and anyone who has ever considered those genres (and the euro-crime film) as metaphors for life and society should find a copy of this film as soon as possible. For me, one of the five best European-made crime films of the 1960's, and I've seen hundreds of them.

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