| Photos (See all 19 | slideshow) |
| Michael Caine | ... | Harry Palmer | |
| Nigel Green | ... | Dalby | |
| Guy Doleman | ... | Ross | |
| Sue Lloyd | ... | Jean | |
| Gordon Jackson | ... | Carswell | |
| Aubrey Richards | ... | Radcliffe | |
| Frank Gatliff | ... | Bluejay | |
| Thomas Baptiste | ... | Barney | |
| Oliver MacGreevy | ... | Housemartin (as Oliver Macgreevy) | |
| Freda Bamford | ... | Alice | |
| Pauline Winter | ... | Charlady | |
| Anthony Blackshaw | ... | Edwards | |
| Barry Raymond | ... | Gray | |
| David Glover | ... | Chilcott-Oakes | |
| Stanley Meadows | ... | Inspector Keightley | |
| Peter Ashmore | ... | Sir Robert | |
| Michael Murray | ... | Raid Inspector | |
| Anthony Baird | ... | Raid Sergeant (as Antony Baird) | |
| Tony Caunter | ... | O.N.I. Man | |
| Charles Rea | ... | Taylor | |
| Ric Hutton | ... | Records Officer | |
| Douglas Blackwell | ... | Murray | |
| Richard Burrell | ... | Operator | |
| Glynn Edwards | ... | Police Station Sergeant | |
| Zsolt Vadaszffy | ... | Prison Doctor | |
| Josef Behrmann | ... | Prison Guard (as Joseph Behrmann) | |
| Max Faulkner | ... | Prison Guard | |
| Paul S. Chapman | ... | Prison Guard | |
| rest of cast listed alphabetically: | |||
| Howell Evans | ... | First Agent (uncredited) | |
Directed by | |||
| Sidney J. Furie | |||
Writing credits | ||
| Len Deighton | (novel) uncredited | |
| W.H. Canaway | (screenplay) (as Bill Canaway) & | |
| James Doran | (screenplay) | |
Produced by | |||
| Charles D. Kasher | .... | executive producer | |
| Ronald Kinnoch | .... | associate producer | |
| Harry Saltzman | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Otto Heller | (photographed by) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Casting by | |||
| Weston Drury Jr. | (as Weston Drury Jnr.) | ||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Peter Murton | |||
Makeup Department | |||
| Philip Leakey | .... | makeup artist (as Phil Leakey) | |
| Barbara Ritchie | .... | hairdresser | |
Production Management | |||
| Denis Johnson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fred Slark | .... | assistant director | |
Art Department | |||
| Michael White | .... | set dresser | |
Sound Department | |||
| Maurice Askew | .... | sound mixer | |
| Peter Davies | .... | sound mixer | |
| Ben Rayner | .... | sound editor | |
| Nicholas Stevenson | .... | assembly editor | |
| Norman Wanstall | .... | sound editor | |
| Desmond Briscoe | .... | electronic sound effects (uncredited) | |
| Lionel Strutt | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Brian Elvin | .... | camera operator | |
| John Morgan | .... | focus | |
| George Courtney Ward | .... | stills | |
Costume and Wardrobe Department | |||
| Muriel Dickson | .... | wardrobe mistress | |
Music Department | |||
| John Barry | .... | conductor | |
| Sidney Margo | .... | music contractor (uncredited) | |
| John Scott | .... | musician: saxophone (uncredited) | |
Other crew | |||
| Ross MacKenzie | .... | location manager (as Ross Mackenzie) | |
| Pat Moon | .... | continuity | |
| Maurice Landsberger | .... | production accountant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Michael Caines first outing as secret agent Harry Palmer is set in 60's London. This is not the Psychedelic London of Austin Powers or the Beatles, neither is it the sophisticated aristocratic London of James Bond. This London is drab and populated by civil servants & bedsits. This London is still coming to terms with the end of World War II and the advent of a modern world.
Working Class Palmer is an unwilling Home Office agent with criminal tendencies who is more interested in a pay rise so that he can indulge his true passion, gourmet cooking, than serving his country. His superiors, Ross (played by Guy Doleman) & Dalby (Played by Nigel Green) represent a microcosm of the British Upper & Lower Middle Classes. Palmer is clearly more cultured in his appreciation of food, music(Mozart & Bach) & women, "I like Birds Best" Palmer admits to Courtney played by Sue Lloyd (of Crossroads fame in UK).
Palmers superiors appear uninterested in the fate of their subordinates and this is one reason why the character of Palmer works so well, we are him, he lives our lives and we want him to win through. This perspective is aided by the stunning photography that uses every conceivable camera angle (even views from a light bulb!) to see the world from the characters perspective.
Look out for the supermarket scene between Ross and Palmer, my vote for the most violent use of a supermarket Trolley in a movie.
As Palmer slowly unravels the mysterious disappearance of top government scientists it becomes clear that there is someone close to the top of the British Secret service acting as a double agent. Who is it, Ross or Dalby? Who is Courtney, Palmers love interest, working for?
In the background is a rather sinister looking CIA, who always appear to be one step ahead of the Brits. (A reference to the decline of Britian as a world power and its reliance on America?) Wether intentional or not, this film has captured a London of the 60's that was going through substantial social change, gone are the class paradigms that suggest that the working class could never be cultured, gone is is the unquestioning loyalty to the upper class. This world was forever changed after the war. This is a film I can watch time and time again, if only to watch the title sequence as Palmer gets up for work as if he is going to just another office job.
This is a stylish movie and one of the greatest British films ever made. If you havn't seen it watch it now!