Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But ... See full summary »
Rome, 1905. Lina, a music hall singer, has fallen in love with Sergei, a Russian prince. Maestro Doria, who gives her voice lessons and who hopes to make her his mistress, takes her to ... See full summary »
Robert Z. Leonard
Women love handsome Antonio because they think of him as the perfect lover. But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. When the ... See full summary »
Linda is a middle aged woman working as a caregiver at a care home for people with chronic disabilities. One day a young, attractive guy comes to live there and Linda is overwhelmed with sexual desire for him.
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But little by little Sandro identifies himself with the people he meets and the accusation against mankind changes into a confession to himself. And, after the death of his true friend Peppino Marazzi and a conversation with Silvia, Sandro begins to consider again his own life. Written by
Baldinotto da Pistoia
I watched this film about 5 years ago, and I must say it's one of the bests I've seen. The subtle humour is perfectly married with the irony and another emotional moments. This film and 'Loves of a Blonde' (Milos Forman) have that subtlety you hardly see anymore. Mastroiani's performance as Pepino is memorable. His performances in different films as a director, gigoló and also a shy - timid man (for example) make him one of the most outstanding actors ever.
"Io Io Io e gli altri", starts laughing about itself, starts critizicing society, its vices, and the narrator commits one of those in the middle of his monologue. It sets up a tongue in cheek film which develops in an intelligent way.
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