Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But ... See full summary »
Fanfan is a young handsome peasant. He joins the army to escape marriage and because a gipsy girl predicted he will get glory and the king's daughter as a wife. But the gipsy girl was in ... See full summary »
In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
40 year old Sandro(Marcello Mastrovanni)is married to Claude(Virni Lisi).Sandro has one strange obsession - he is a self confessed voyeur.He films his wife in all walks of life on his ... See full summary »
A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They... See full summary »
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But little by little Sandro identifies himself with the people he meets and the accusation against mankind changes into a confession to himself. And, after the death of his true friend Peppino Marazzi and a conversation with Silvia, Sandro begins to consider again his own life. Written by
Baldinotto da Pistoia
I watched this film about 5 years ago, and I must say it's one of the bests I've seen. The subtle humour is perfectly married with the irony and another emotional moments. This film and 'Loves of a Blonde' (Milos Forman) have that subtlety you hardly see anymore. Mastroiani's performance as Pepino is memorable. His performances in different films as a director, gigoló and also a shy - timid man (for example) make him one of the most outstanding actors ever.
"Io Io Io e gli altri", starts laughing about itself, starts critizicing society, its vices, and the narrator commits one of those in the middle of his monologue. It sets up a tongue in cheek film which develops in an intelligent way.
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