Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, ... See full summary »
Recruits head to the front lines towards the close of the Korean War. The interaction between two of the soldiers...an idealistic newcomer and a psychotic who goes on one-man patrols ... See full summary »
Cash McCall is a young and slick business man who buys failing businesses and resells them. Grant Austen's Plastics is even more of a prize to Cash, for Cash is also making a bid for ... See full summary »
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie... See full summary »
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Daisy Clover is a 15 year old Tomboy who dreams of being a Hollywood star. After auditioning for producer Raymond Swan of Swan studios she becomes the toast of Hollywood. Daisy must then come to terms with her new found fame and the 1930's Hollywood star treatment. Written by
Most of Natalie Wood's singing voice was dubbed by vocalist Jackie Ward. However, Wood herself sings the intro to "You're Gonna Hear From Me" for the screen test version of the tune. See more »
In the opening scene, Natalie Wood's character, Daisy Clover, leans back on what is supposed to look like a cement wall of graffiti. When she leans back, the wall leans with her revealing it is made of fabric. See more »
Curiously sinister and overwrought expose looks great but isn't particularly satisfying...
Brassy, singing tomboy near Hollywood in the 1930s gets a screen test and is soon thrust into the crazy spotlight of Tinsel Town. Ham-handed soaper intends to paint show business as cool, decadent and uncaring, but director Robert Mulligan is unable to set an appropriate tone, and his bad guys are enigmatic shadies who conspire in whispers. This combined with Natalie Wood's raucous rendering of a 15-year-old results in some problems. Still, the look and atmosphere of the film are really extraordinary, and Christopher Plummer gives off sparks of neurotic heat as the head of the movie studio. Robert Redford is a good screen match for Natalie, although his love-interest role is steeped in the hypothetical; Wood herself runs hot and cold, though she has some very strong early moments. The pacing might've stood some picking up, and the movie is much too long, but it looks stylish and has a lot of talent behind it. **1/2 from ****
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