A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
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Daisy Clover is a 15 year old Tomboy who dreams of being a Hollywood star. After auditioning for producer Raymond Swan of Swan studios she becomes the toast of Hollywood. Daisy must then come to terms with her new found fame and the 1930's Hollywood star treatment. Written by
Most of Natalie Wood's singing voice was dubbed by vocalist Jackie Ward. However, Wood herself sings the intro to "You're Gonna Hear From Me" for the screen test version of the tune. See more »
In the opening scene, Natalie Wood's character, Daisy Clover, leans back on what is supposed to look like a cement wall of graffiti. When she leans back, the wall leans with her revealing it is made of fabric. See more »
Even worse than I remember back when I saw it in the theatre in the 60s
I would speculate that this is one of the worst major studio motion pictures ever made, starring and directed by A-list talent. I was a teenager when this came out in the theatre, and even then, I distinctly remember - because I was a Natalie Wood fan -- that I hated this movie. I expected forty years later that I would embrace it more deeply, partially for nostalgia, partially for being more forgiving of its foibles. Well ... it's even worse than I remember a lurid, melodramatic potboiler where not a scene, or piece of dialogue, rings true. Natalie Wood acts like a silent film star, mugging atrociously, and playing tomboy like a truck driver in army boots. I am reminded of the numerous Razzie worst actress awards she got from Harvard back then. Someone on IMDb assumed that 60s audiences accepted this -- but it was a critical bomb back then. The story is beyond far-fetched as she dreams of being a singer, she sends in a recorded disc of her voice -- and the studio head himself pays her a personal call at her pier-side shack because he's so excited about her talent and when we watch her screentest her singing is mediocre. She's immediately signed to a contract, but never shows a shred of pleasure or excitement that she has gotten her wish, but only seems to want to escape. The costumes and hair are maddeningly anachronistic teased hair, pink lipstick, eyeliner, shaggy bangs, turtlenecks, Capri pants, empire waist dresses, narrow suit lapels, pure 60s. Her musical number belongs more on Hullabaloo than a 1930s movie screen. Scenes on the 1930s studio lot, and on the soundstage, are always as deserted as a tomb, and the studio head who is so evil he should be twirling his moustache like a silent film villain -- seems to have no other duties or interests than meeting incessantly with, and watching over, Daisy. Worth renting only for curiosity value -- or Wood fans who need to round out their viewing repertoire. The one positive is Robert Redford not the most interesting of actors but more animated than in some of his later roles, and gorgeously handsome beyond belief.
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