A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Labrador, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while... See full summary »
An American Army officer is recruited by the yet to exist Israel to help them form an army. He is disturbed by this sudden appeal to his jewish roots. Each of Israel's Arab neighbors has ... See full summary »
Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
Captain Rockwell Torrey and Commander Paul Eddington are part of the Navy's effort to recuperate from, and retaliate for, the Japanese attack on Pearl Harbor. Torrey is romantically involved with nurse Maggie Haynes, and also tries to restore his relationship with his estranged son, Jeremiah, a young Naval officer. Written by
Jim Beaver <email@example.com>
Until recently Adms. Kimmell and Nimitz were identified in the credits simply as CINCPAC1 and CINCPAC2. Neither of them is referred to by name in the movie and any reference to them is always as 'CINCPAC'. See more »
The cruiser used in the beginning of the movie, U.S.S. St. Paul CA-73, did not enter service until 1945. It had twin 3" gun mounts in place of quad 40mm by the time the movie was filmed. Also the 3" has radar dishes clearly visible on each mount. See more »
Critically under-valued at the time of it's release and now largely forgotten, Otto Preminger's World War Two movie is a first-class entertainment, intelligently scripted, crisply photographed and very well directed. (There is a beautifully sustained scene where Preminger cross cuts between John Wayne's date with Patricia Neal and son Brandon De Wilde's date with Neal's room-mate Jill Haworth in which the characters of all four protagonists are neatly established).
For once an all-star cast adds to, rather than detracts from, the film. With a few exceptions (Henry Fonda and Franchot Tone in blink-and-you'll-miss-them cameos) all the actors are allowed to flesh out their roles with Patricia Neal and Burgess Meredith outstanding. Ultimately. of course, it never rises above melodrama and is the cinematic equivalent of those door-stopper novels favoured on the beach, but then melodrama was always where Peminger really came into his own. While certainly not in the class of "Laura", "Bonjour Tristesse", "Anatomy of a Murder" or "Advise and Consent", it is no disgrace and is a reminder that even second-rate Preminger is head and shoulders above a lot of the junk food cinema that fills our multi-plexes today.
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