Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Labrador, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while waiting for rescue.
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boys want to get his attention they decide to rob... See full summary »
George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away ... See full summary »
On patrol the morning of December 7th commanding a cruiser Captain Torrie receives word of the attack on Pearl Harbor. His orders are to find the Japanese force and attack it. The picture tells the story of three families during the outbreak of World War ll. Written by
The climactic battle with the Japanese fleet was staged mostly with model ships. Kirk Douglas thought that the special effects were poor and complained to both the director and the studio about it. He offered to re-stage the scenes at his own expense using the special effects people who worked with him on Paths of Glory (1957). See more »
The "Powell-Hyde" cable car prominently featured is the present day Powell Street style of car that was running on the route in the 1960s when the film was made, but not in the 1940s at the time of the story. At that time both the style of the cars and the routing was different. California Street RR Company style cars ran on Hyde via the O'Farrell and Jones Street route. See more »
Critically under-valued at the time of it's release and now largely forgotten, Otto Preminger's World War Two movie is a first-class entertainment, intelligently scripted, crisply photographed and very well directed. (There is a beautifully sustained scene where Preminger cross cuts between John Wayne's date with Patricia Neal and son Brandon De Wilde's date with Neal's room-mate Jill Haworth in which the characters of all four protagonists are neatly established).
For once an all-star cast adds to, rather than detracts from, the film. With a few exceptions (Henry Fonda and Franchot Tone in blink-and-you'll-miss-them cameos) all the actors are allowed to flesh out their roles with Patricia Neal and Burgess Meredith outstanding. Ultimately. of course, it never rises above melodrama and is the cinematic equivalent of those door-stopper novels favoured on the beach, but then melodrama was always where Peminger really came into his own. While certainly not in the class of "Laura", "Bonjour Tristesse", "Anatomy of a Murder" or "Advise and Consent", it is no disgrace and is a reminder that even second-rate Preminger is head and shoulders above a lot of the junk food cinema that fills our multi-plexes today.
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