A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Labrador, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while waiting for rescue.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
On patrol the morning of December 7th commanding a cruiser Captain Torrie receives word of the attack on Pearl Harbor. His orders are to find the Japanese force and attack it. The picture tells the story of three families during the outbreak of World War ll. Written by
He was called "Rock," which was short for "Rock of Ages," the nickname he was given at the Naval Academy. This, according to a line in the film spoken by the character (Lt. William "Mac." McConnell) played by Tom Tryon. See more »
When RAdm Torrey drops his message from the R4D aircraft to Clayton Canfil, the streamer blows toward the front of the airplane instead of toward the tail. See more »
Critically under-valued at the time of it's release and now largely forgotten, Otto Preminger's World War Two movie is a first-class entertainment, intelligently scripted, crisply photographed and very well directed. (There is a beautifully sustained scene where Preminger cross cuts between John Wayne's date with Patricia Neal and son Brandon De Wilde's date with Neal's room-mate Jill Haworth in which the characters of all four protagonists are neatly established).
For once an all-star cast adds to, rather than detracts from, the film. With a few exceptions (Henry Fonda and Franchot Tone in blink-and-you'll-miss-them cameos) all the actors are allowed to flesh out their roles with Patricia Neal and Burgess Meredith outstanding. Ultimately. of course, it never rises above melodrama and is the cinematic equivalent of those door-stopper novels favoured on the beach, but then melodrama was always where Peminger really came into his own. While certainly not in the class of "Laura", "Bonjour Tristesse", "Anatomy of a Murder" or "Advise and Consent", it is no disgrace and is a reminder that even second-rate Preminger is head and shoulders above a lot of the junk food cinema that fills our multi-plexes today.
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