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Samurai Spy (1965) More at IMDbPro »Ibun Sarutobi Sasuke (original title)

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Release Date:
10 July 1965 (Japan) See more »
The legendary samurai Sasuke Sarutobi gets caught in a web of political intrigue, deception and espionage during the early 17th century. Full summary » | Add synopsis »
User Reviews:
A convoluted tale of espionage that leaves a lot to be desired. See more (9 total) »



Directed by
Masahiro Shinoda 
Writing credits
(in alphabetical order)
Yoshiyuki Fukuda 
Koji Nakada  novel

Produced by
Shizuo Yamanouchi .... producer
Original Music by
Tôru Takemitsu 
Cinematography by
Masao Kosugi 
Film Editing by
Yoshi Sugihara 
Art Direction by
Junichi Ôsumi 
Art Department
Toshio Takahashi .... set designer
Sound Department
Hideo Nishizaki .... sound
Camera and Electrical Department
Akira Aomatsu .... gaffer
Costume and Wardrobe Department
Etsuko Yagyû .... costume researcher
Other crew
Yasuo Ôkubo .... public relations
Tokûemon Izumi Troupe .... thanks

Production CompaniesDistributors

Additional Details

Also Known As:
"Ibun Sarutobi Sasuke" - Japan (original title)
See more »
102 min | USA:99 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:


Who's that guy at the end?
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7 out of 11 people found the following review useful.
A convoluted tale of espionage that leaves a lot to be desired., 27 July 2008
Author: chaos-rampant from Greece

Maybe because the bar in 1960's samurai cinema was set in unprecedented highs after the works of Masaki Kobayashi, Kihachi Okamoto and Hideo Gosha among others, maybe because the title is slightly misleading and this is not an out and out chambara, or maybe because it's just not such a good film, Samurai Spy left me with a bitter aftertaste.

Set in 16th century Japan, 14 years after the defining battle of Sekigahara where the Tokugawas solidied their power over the Toyotomis (and the country was about to enter a 400 year period of Tokugawa rule), Samurai Spy attempts to tell a labyrinthine story of espionage and double-crossing. In its centre of political intrigue are two rival spy networks working for the two factions, Tokugawas and Toyotomis. The convoluted plot should come as no surprise to chambara aficionados; it is after all a staple in a good number of genre films. However whereas another very convoluted film like Samurai Assassin at least has a central figure one can relate to (likeable or not, doesn't matter) and thus follow the maze-like plot through his plights and triumphs, Samurai Spy has little concern with character development. Sasuki is a pretty bland character to spend so much time in his company. It's no surprise then that the screen is on fire whenever Tetsuro Tamba appears. As the white-clad rival ninja leader, Tamba treads the ground between baddie, hero and just-another-pawn with charm and conviction. Plus he's badass as hell.

Masahiro Shinoda is one of Japan's great directors and although the story let me down, the movie is very well shot and lit. Solid DP work helped by Criterion's pristine print. His frenzied tracking shots following ninjas are a nice touch as are the several slow-motion shots that are pivotal in many of the action scenes. Speaking of action, this is more of a ninja film than a samurai one. Not that swordfights are completely absent, but they are interspersed with shurikens, flying daggers and other ninja tricks. Fans of 80's cheese looking for Sho Koshugi's forefather might wanna look elsewhere though. This is not played for laughs.

Samurai Spy could be a lot better. It's not without its merits but as it is, I'd recommend it to completists only and chambara fans that would like a different take on their katana action. I hope you like it more than me.

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