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I Saw What You Did (1965)

Teenagers Libby and Kit innocently spend an evening making random prank calls. These calls lead to murderous consequences.

Director:

Writers:

(screenplay) (as William McGivern), (novel)
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Cast

Cast overview, first billed only:
...
Amy Nelson
...
Steve Marak
...
Dave Mannering
...
Kit Austin (as Sarah Lane)
...
Libby Mannering
Sharyl Locke ...
Tess Mannering
...
Ellie Mannering
...
John Austin
...
State Trooper
Joyce Meadows ...
Judith Marak
...
Gerald Nyes
Douglas Evans ...
Barbara Wilkin ...
Mary Ward
Glen Vernon ...
John Adams
...
Jill Adams
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Storyline

When two teenagers make prank phone calls to strangers, they become the target for terror when they whisper "I Saw What You Did, And I Know Who You Are!" to psychopath Steve Marek who has just murdered his wife. But somebody else knows of the terrible crime that was committed that night, the killer's desperately amorous neighbor Amy Nelson. Written by Joan Crawford & William Castle

Plot Summary | Plot Synopsis

Taglines:

Fate dials the number...terror answers the phone! See more »

Genres:

Horror | Thriller

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 July 1965 (USA)  »

Also Known As:

I Saw What You Did and I Know Who You Are!  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Joan Crawford was approached for this film one month after she left Hush...Hush, Sweet Charlotte (1964) due to an "ailment" that prevented her from working (which is believed to have actually been sick of working with her arch enemy Bette Davis). Therefore, William Castle requested that Crawford's doctors sign a statement attesting that she was completely well before giving her the role. See more »

Goofs

When Kit and her father hear car radio news report of murder while making late night drive back from Libby's house, landscape appears to be in full daylight even though earlier night scenes don't suggest there is any significant moonlight. See more »

Quotes

Kit Austin: But at least I can come for dinner. He'll drive me over. How do we get there? You live out in the wilderness.
Libby: It's not that bad. It's easy really. You go about 15 miles past the gas station on Elm. Then you turn right on Tomkins Street. You keep going right until you pass the railroad tracks. Then you turn left and go for about 6 miles. You come to a red barn, you pass that...
[she keeps talking but is drowned out by music]
See more »

Crazy Credits

Closing credit (over picture of phone lines): "The End of the Line." See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Every Home has its Castle
7 September 2009 | by (United States) – See all my reviews

Yes, good old William Castle is on the loose again, with a low budget and a creepy plot...and Joan Crawford, whose salary probably used up most of Castle's available cash.

You know you're in trouble from the first few scenes, with corny eyeball-shaped framing devices, then the intrusion of Van Alexander's completely out-of-place bouncy score, with its recurring principal theme of "Ninny nanny noo-noo." (Most of his credits are for 60s sitcoms, and it shows.) Then we're treated to exteriors of the Mannering house which are nothing more than Thomas Kincade- style paintings. (Virtually the whole film was shot on a sound stage, except for some rear projections.)

The plot itself is clichéd, but decently "executed." The casting is a problem, with Joan Crawford at age 60 trying to be the hypotenuse in a love triangle between 50-year-old John Ireland and some young bimbo (or we should say, ex-bimbo). Not much choice there. The two teenage girls are straight out of 60s sitcom land, and the younger sister joins the ranks of "most annoying child actors." There are some tense moments, including a ripoff of the shower scene from "Psycho" (except with a naked man instead of Janet Leigh).

And since we're already knee-deep in 60s sitcoms with the trite score and giggly teenaged actors, we're given an ending that would have been right in place on Dobie Gillis or the Patty Duke Show. Except with a dead body.


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