This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital. Dr. MacLeod (Robert Stack) is a new, optimistic doctor who attempts to ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
When two teenagers make prank phone calls to strangers, they become the target for terror when they whisper "I Saw What You Did, And I Know Who You Are!" to psychopath Steve Marek who has just murdered his wife. But somebody else knows of the terrible crime that was committed that night, the killer's desperately amorous neighbor Amy Nelson. Written by
Joan Crawford & William Castle
This was Joan Crawford's last appearance in an American film. After this, Crawford made only two more films, both of which were filmed entirely in the UK. See more »
When Kit and her father hear car radio news report of murder while making late night drive back from Libby's house, landscape appears to be in full daylight even though earlier night scenes don't suggest there is any significant moonlight. See more »
But at least I can come for dinner. He'll drive me over. How do we get there? You live out in the wilderness.
It's not that bad. It's easy really. You go about 15 miles past the gas station on Elm. Then you turn right on Tomkins Street. You keep going right until you pass the railroad tracks. Then you turn left and go for about 6 miles. You come to a red barn, you pass that...
[she keeps talking but is drowned out by music]
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Closing credit (over picture of phone lines): "The End of the Line." See more »
This is another strange William Castle concoction that features Joan Crawford in one of the B-horror movies she made near the end of her career, and yet the only way they could fit her into this story was to make her a kooky neighbor lady who wears tacky jewelry that looks like some sort of bizarre Aztec armor.
Everyone knows the plot, which involves two teenage girls who spend an evening making prank phone calls and, through the miracle of plot contrivance, stumble into the path of a psychotic man who has just committed murder.
I don't know if any of the other viewers felt the same way, but I really think the movie's violence is a bit shocking for its day. The first murder is an ironic ripoff of "Psycho", with the person in the shower committing the murder instead of being slashed, and I was surprised at how graphic it really is.
Also, I don't know whether this was really the filmmakers' intention or not, but they have captured the excitement of a teenage adventure and carried it effortlessly into a suspenseful conclusion. Ironically, the only thing in the movie that feels wrong is the subplot involving Crawford. It was obviously inserted to give the movie a star and to pad out the running time.
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