Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century. An aging actress Arkidana pays summer visits to her brother Sorin and son ... See full summary »
It's 1933, and eight young women are friends and members of the upper- class group at a private girl's school, about to graduate and start their own lives. The film documents the years ... See full summary »
In 1944, Kay and Jane travel on an overnight train from Miami to New York, accompanied by Harry. Kay is the mistress of "The Man", a rich industrialist, whom they are to meet so that they ... See full summary »
Tyrannical but ailing tycoon Charles Richmond becomes very fond of his attractive Italian nurse, Maria. The nurse, in turn, falls in love with Charles' ne'er-do-well nephew Anthony, who ... See full summary »
WWII, in a British disciplinary camp located in the Libyan desert. Prisoners are persecuted by Staff Sergeant Williams, who made them climb again and again, under the heavy sun, an artificial hill built right in the middle of the camp. Harris is a more human and compassionate guard, but the chief, S.M. Wilson, refuses to disown his subordinate Williams. One day, five new prisoners arrive. Each of them will deal in a different way with the authority and Williams' ferocity. Written by
The Five prisoners are members of the following regiments. (All identifiable via their cap-badges.)
McGraf: Lancashire Fusiliers. King: Royal Pioneer Corps. Bartlett: Royal Fusiliers (KC). Stevens: Royal West Kent Regiment. Roberts: Royal Tank Regiment. See more »
The new prisoners are initially lined up in the middle of the camp with their kit at their feet. As the prisoners are in turn called to see the army doctor a raised wooden walkway appears in front of them and later disappears. See more »
You've got it downstaris, mate, but we've got it upstairs. Live up trees, you blokes do. I seen a film about his tribe once. It was called 'Tarazn and the Ape Man.' When Charlie Blogs found you lot, you was walking around starkers, living on monkey nuts.
So this is a member of the great white race. And there's plenty more like Monty. We just call them "white trash."
Now look, I don't go for that expression "white trash."
What's Staff Williams?
Belt up! I don't want to hear about Williams.
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In which Connery doesn't get to cop off with the customary harem of beach babes, doesn't get to save the world and more importantly gets his butt kicked by Ian Hendry! Sidney Lumet seasons Ray Rigby's claustrophobic screenplay with some stunning black and white cinematography (reminiscent of his earlier masterpiece '12 Angry Men') and then bakes it in about 6 million degrees of scorching desert sun. The story of five squaddies holed up in a military stockade at the tail end of WW11 is as preoccupied with examining political conflict within British society (through the interactions of the microcosmic cell mates) as it is with presenting a taut, compelling psychodrama. The allegorical tone of the movie is never clumsy or heavy handed though and Lumet keeps the narrative on the rails every step of the way. The dialogue crackles with blunt barrack room banter and black humour throughout perfectly offsetting the grim circumstances the prisoners find themselves in. Roy Kinnear, Ossie Davis and Ian Hendry (as a deranged martinet of a prison guard) all deserve special mention but the film surely belongs to Connery who stumbles 'bruised, battered and scarred but hard' through to the bitter climax with an extraordinary kind of dignity as he rails against the brutal injustices of 'the system'! It is a truly unmissable picture if only for Connerys' star turn but don't take my word for it. Check it out now.
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