A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the ... See full summary »
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
WWII, in a British disciplinary camp located in the Libyan desert. Prisoners are persecuted by Staff Sergeant Williams, who made them climb again and again, under the heavy sun, an artificial hill built right in the middle of the camp. Harris is a more human and compassionate guard, but the chief, S.M. Wilson, refuses to disown his subordinate Williams. One day, five new prisoners arrive. Each of them will deal in a different way with the authority and Williams' ferocity. Written by
The new prisoners are lined up in the middle of the camp with their kit at their feet waiting to see the army doctor. As Stevens is called, a flat board suddenly appears in front of the line up so the camera can pull forward along the line up for a tracking shot. It disappears immediately afterwards. See more »
Breathtaking - no-nonsense Lumet goes to desert prison.
Stark images, powerful script and performances, and rapid, sharp editing make this film difficult to forget. Director Sidney Lumet stamps his authority on the movie with a style that is gritty, almost documentary -like. The quick cuts are precise, like the snap of the salutes and the bark of the NCO's. Beyond Lumet's towering presence, there is a likeable performance from a young Ossie Davis, an excellent early non-Bond performance from Sean Connery, and Harry Andrews' Sargeant-Major is a remarkable creation - a little man whose job is to destroy these misfits on behalf of a system that will not tolerate individuals.
This remarkable film stays in the mind long after viewing for me, mainly because it announces early on that it is not an easy picture, and like early Frankenheimer, it's aggressive style stands out from the norm. It is a quintessential sixties picture - a time when experiments in style could be taken seriously - not just a smirky in-jokes or cartoonish roller -coaster rides. Exhilarating nonetheless.
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