Sylvia West is a young poetess engaged to Frederic Summers, an eccentric millionaire. Summers, a man who always fears he is being loved for his money, decides to make a small check on his ... See full summary »
An immigrant Nevada rancher brings a woman from Italy to be his second wife but when he neglects her, she becomes involved with his trusted assistant. Nominated for 3 Academy Awards including Best Actor.
Former OSS officer Alan Holiday, now living in London, is visited on New Year's Eve by Catherine Carrel who says she is a close friend of Jules Lemoine who served with Holiday during the ... See full summary »
At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
In this story, Harlow starts in the movies as set dressing, the pretty girl who is used for the glamour shots. Refusing to descend to the casting couch for work, she finds that she is soon blacklisted from the industry. But an agent named Arthur sees something in Jean and begins representing her. For a long time, the jobs are scarce and consist mostly of receiving the pie in the face in low budget comedies. But Arthur's belief in Jean never wavers and when she finally graduates to featured roles, the critics say that she cannot act, but she is unforgettable. Polishing the image as the girl next door, but with some fire, she begins her climb to the top and becomes the girl every woman wants to look like and every man wants to have. But her own life is a disaster - unlike her screen life. Written by
Tony Fontana <firstname.lastname@example.org>
Shelley Winters reportedly declined an offer to play Harlow's mother. See more »
Jean's stepfather plays a 33 rpm long player on a record player years before they replaced 78 rpm discs. See more »
She's beyond help, Mrs. Bello.
She was only 26.
Pneumonia is somethig we haven't conquered.
She dudn't die of pneumonia. She died of life. She gave it all to everyone else, and there wasn't enough left for her.
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It's big, it's expensive, it's colorful, and that's about it. The people behind "The Carpetbaggers," obviously hoping that lightning would strike twice, put together the high budget version of Irving Schulman's alleged biography of Jean Harlow the following year. This was a mistake. "Carpetbaggers" was trash, but it was enjoyable trash. "Harlow" doesn't even reach that level. Both the Schulman book and this movie were really more fiction than fact and many of those who knew and worked with Harlow, most of whom were still alive at the time, took serious issue with both. Then there are the performances. Even talented people like Angela Lansbury and Raf Vallone, as Jean's mother and stepfather, couldn't do much with this mess, and so compensated by going over the top. But for sheer miscasting, the real violator is not Carroll Baker's overripe Harlow, but Peter Lawford's Paul Bern. Here was the tall, handsome Lawford playing a man who was, by all accounts, short, bald, and, frankly, rather dumpy looking. It's a good thing everything and everybody else in this film other than Jean Harlow, her immediate family, and agent Arthur Landau, were cloaked under various pseudonyms. To have done otherwise would have left Joseph E. Levine and Paramount open to a world of trouble resulting from the libel suits alone.
In short, watching "Harlow," you'll gain nothing and lose 130 minutes you'll never get back again. It really isn't worth it.
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